One thing I particularly like about museums like the Galleria Doria Pamphilij, is the overabundance of detail everywhere: ceilings, odd corners (hello, St. Sebastian!), patterned decorative wall painting & sculptural curtain tie-backs.

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Though a common design strategy, I still love it when museums use exhibition objects as clear inspiration for the graphic identity of an exhibition. Here, the newly opened "Feathers: Fashion and the Fight for Wildlife" .

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This grisly scene caused a sensation when first exhibited (and made the artist a fortune through selling prints of its design.) It's one of those images that still holds power today in the gallery. Detail, Watson and the Shark, 1778.

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Ahhhh... Sometimes you get to sit in the El Greco gallery all by yourself. Detail, Laocoön, ca. 1610-1614.

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A fave gallery in the new presentation of 's permanent collection is this selection of the "Underwood Travel System." 3D glimpses of wondrous places resonate w/ me as a universal pining for the "someplace else."

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Even without reading the exhibition label, it's clear from the eyes alone that this is a sketch of a mesmerizing psychic. Table-turning, or Portrait of a Medium, ca. 1906. 🌀🌀

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...it's not all drawings though. Many of the paintings are on loan from private collections, so this exhibition is a unique opportunity to experience them. I was immediately captivated by the jovial mug of Docteur Devaraigne, 1917.

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This drawing-focused exhibition gives you a great opportunity to see an artist, early in his career, working through different ways of sketching facial details, like the animated of Paul Alexandre (all 1909).

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Day 7: Something small, but with a tremendous impact: an early 1900s cervical cap that women could use themselves, finally giving them far-reaching control over reproduction. On view now in the "Hotbed" exhibition. See: https://t.co/UT1WFtFCKw

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Lost myself , my 1st visit, spent 5 hrs there, missed lunch, and only left to catch a train. Art exhaustion is real, but it's my fave way to burn. Detail, Pierre-Narcisse Guérin, Clytemnestra Hesitating before Stabbing the Sleeping Agamemnon, ~1817.

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I think this is the first time I've seen a work in person! This elaborate sculpture, Ancestral Spirit Chair, 1992, really forefronts aspects from her African American, Irish & Native American heritage.

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I'm greatful that this fresco by Nature and the Artist: the Work of Art and the Observer, 1943, was saved and moved to , but just look at how it was originally situated in Hillyer Library at !

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I was drawn to a lot of the contemporary art at , but the details in this large sculpture kept me circling it and going in for closer examination. Painting Structure 014-010-64171, series 3, 1978.

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Puff away! The details I'm finding at are incredible. This little guy is from Bolaños, Jalisco, 135-440 AD. 🚬

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Whoa! The entrance courtyard to is about as dramatic as it gets!

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They've temporarily added illuminated models of the might-have-been buildings in to the famous NYC Panorama!

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Detail, Achelous and Hercules, 1947. Love this story as imagined through Benton's Midwestern lens.

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The Luce Center Art Storage Center has didactic signage about accession & addresses core questions.

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The Baker & His Wife, 1658, always makes me 😀. I'm particularly amused by the dainty way the wife hold her loaf.

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👏🏼 to for this simple, yet impactful way to digitally flip through VG's sketchbooks. So much insight gained.

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