I think one of the frustrating things is people not understanding the point, narratively, of him just being this normal dude superheroes can trust. Like, he's pretty pivotal to making all this work.

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OC fact

I still have no idea what would determine Zeo having the humanoid face or the beak face. They're both equally as important narratively but I haven't figured out why they'd have one over the other at any point and both are cool imo.
The fact here is that I'm indecisive.

0 0

2001: A Space Odyssey

Very surreal experience. This movie is amazing conceptually and technically. It is shot brilliantly, and has some of the best sound design and music I’ve ever heard. It falls short for me narratively, but is still great and immersive overall.

4/5

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the difference when a fake death is narratively meaningful vs just a way to make a character 100% alien

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HOW IT STARTED > HOW IT'S GOING
A Lich BBEG turned potential ally in my 3 y/o D&D campaign. Didn't used to be much of a character but I'm finally narratively able to explore him more.

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10. PRINCESS ARETE
A *moving* reflexive take on the fairy tale genre with that may not be for everyone thanks to its *slow* pacing, but nevertheless artistically awe-inducing and narratively engrossing. This should be a required watch for all animation enthusiasts!

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2014 vs 2022 art of my first ever oc, Fireblossom. She'll never be used again narratively bless her but its cool to see the art glow up even if the new version is pretty rough.

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broono did a sketch of dakon from my fan fic. he has my interpretation of ss4 (gt doesn’t exist at all in my fic), primal saiyan; which is a similar general idea to ss4. it’s a parallel to ssg narratively in that it’s derived from the agressive side of saiyan heritage or whatever

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Tfw you realize Ultra Sonic and Ultra Instinct Goku kinda have some similarities narratively speaking

0 2

patch 3.2 was the best patch in wow history, narratively speaking. we’d just killed an old god, we’re decked out in mindbending saronite armor, we build a Medieval Times Dinner and Tournament on Arthas’ front lawn just to taunt him. king shit

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Also its funny and probably a coincidence but I like how Aoyama and Gentle both are like extra, european-ish and dress all dapper like they are constantly at a tea party

Doesn't give any credibility to the connections these two characters have narratively, but its pretty neat

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If they make out cphil to be right narratively I’m going to

0 0

Tried out Sable today and holy shit I'm loving this game so far! Both visually and narratively, it's such a delight. All I want now is like... a boost button for my bike (fingers crossed lol).

Great job 👏🏽👏🏽👏🏽

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here's also the right side up versions of the headshots from the elevator pitch 🃏 it fits sishmu narratively to be upside down for the image... but his headshot turned out beautiful so i am going to re-post it anyway

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Ended up flying through Ao Ashi on a pretty whimsical read. I was expecting it to be one of those sports series that I binge while turning my brain off, but I got caught off guard by some of the bold decisions the mangaka took narratively. Nice emotional moments -

0 5

It's the one year anniversary of We've come so far as a group, both personally and narratively. I'm incredibly proud of everyone in this group, as a DM and as a friend ; w ;

I commissioned the art below from to celebrate, so check them out if you like it!

2 5

Late to the party must reads: GIDEON THE NINTH & HARROW THE NINTH (): mind-bending sci-fi/horror/fantasy. The 1st book lit up my brain (the humor, voice, premise, plot!); the 2nd was even wilder (narratively brilliant choices & reveals that made me reread it instantly)

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“Barrows” from Hobbit Tales. Quite a simple image this one, and I’d completely forgotten about it. There’s quite a lot going on in those little patches of light. Narratively it’s very very simple, but that’s not necessarily a bad thing.

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One detail I like about this page is that these demonic beings' are making a "sacrifice" of sorts, and its corpse is splayed out to resemble the Brand. The climax of the arc mirrors the Eclipse both visually and narratively in many ways and this is just one such example.

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But Paul Grist's work is so conceptially dense and narratively complex that it's basically impossible to fake— like, these pages are all from the same comic, JACK STAFF. I've been trying to get my head around it for years, with LAVENDER JACK (no relation) being my latest attempt.

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