Driving in South Dakota: Frank Modell and Don Martin https://t.co/APVnzlmcdQ

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BOOKS OF THE DAY: Collections of works by the late known for his delightfully macabre humor 😱😂

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SI-LA member of the week

Liam Eisenberg is an illustrator based in the Garden State. His work relies on bold outlines and graphic colors to communicate narrative and conceptual ideas. His work has appeared in the New Yorker, The New York Times, & more.

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On view now in the new exhibition Imprinted: Illustrating Race
has created for Google, Apple, and the New Yorker magazine... They are also modeling what they want to see: black women engaged in rituals of self-love and restoration.

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Proposed (and rejected) New Yorker cover art
Richard Taylor Goes to War https://t.co/vDyf4xccB3

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SI-LA member of the week

Liam Eisenberg is an illustrator based in the Garden State. His work relies on bold outlines and graphic colors to communicate narrative and conceptual ideas. His work has appeared in the New Yorker, The New York Times, & more.

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Ilustraciones pertenecientes a Pablo Lobato, artista argentino que utiliza la geometría como base de su arte que puede ser considerado abstracto

El diseñador gráfico ha trabajado para , New York Times, y una larga lista de publicaciones y marcas😮

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Tom Toro in the Newyorker

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Happy Father’s Day to all of the dads and father figures out there 💛 here’s a Father’s Day sketch I sent into the New Yorker back in 2018

Inspired by my little family- from the days when the kids would crawl into our bed every night & sleep like carbon copies of their dad

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鳴り物入りのNew Yorker

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"157 Years of Juneteenth"
157 anni della Festa di liberazione degli schiavi afroamericani
(19 giugno 1866)



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To highlight Juneteenth, I was commissioned by the New Yorker to illustrate the cover!The words of historian Mitch Kachun can resonate with all of us that day: “celebrations of the end of slavery should have three goals: to celebrate, to educate, and to agitate.”

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⁦⁩ for “animal” - just a little Yorker painted a while back as a commission piece. Watercolour of course

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Robert Kraus
The New Yorker, September 23, 1967
Robert Hansen's Copy of Das eckige Ei [The Square Egg] by Ronald Searle https://t.co/XxjUhrhShy

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There are tons of predicted uses for AI-image-generators that don't replace the creative process that illustrators perform daily.

Take this New Yorker cover.
What would you enter into a search field?
Head, brain, eye, couch, therapist?

You would never get this.

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Is Eustace Tilley meant to be ironic? Here's my theory:
A Happy New Year from Rea Irvin https://t.co/bRHs99kR4j

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Let's appreciate some artists!!

Here are 4 of my favorites. Comment below with your work and/or your favorite artists!!

Scarlette: @/eddieyorke
Katara: @/lauramcucinotta
Nora: @/RogueUzu
Sloane: @/brepai_

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Spotted: TFG, RBG and George Floyd New Yorker covers. Brian Stauffer’s “Under Control” (March 2, 2020); Bob Staake’s “Icons” (October 5, 2020), and Kadir Nelson’s “Say Their Names” (June 22, 2020).

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