WOVEN - created in 2014 for 's LAB II: CULT, one of 4 pieces made shortly after my DC debut with LAB I: Roots.
https://t.co/zmsFevVfye

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Want to share with you some of my fav
Will do it from time to time)
so today is Carlos Federico Sáez
(1878 - 1901)
-

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"I work intuitively...exploring 'what if' and experimenting with what might happen if I mix and match"

Dindga McCannon

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Last work for Amalia de Llano by Federico Madrazo Hope you like my interpretation! ☺️💖

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Urbino's waifu
Nalfirst/Tiziano academic art study
Artist note: "I haven't seen monogatari series, but damn i love Kanbaru"

I had a lot of fun drawing this one, check my other account for an alternative version 💖🦚

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"Thank goodness I was never sent to it would have rubbed off some of the originality."

Beatrix Potter (1866–1943) in London

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Parody of Peter Paul Ruben's Lamentation (Christ on the Straw). We were told to take an image from art history and modernize it. The other students called this, "Boxing Jesus, he fought for our sins."

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“Sometimes I rip up the paper that I‘m drawing on because it looks so wrong. Sometimes I hate drawing.
But it gets under my skin. That is what I want to do. [So] you just have to keep on.”

This is our post on Helen Gillian Oxenbury. https://t.co/xL3YJZDNl3

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"The admonition to look within has always kept me going. It's when people are copy each other that they don't establish their own as

Claire Falkenstein (1908–1997) in

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When this artist was asked about his life’s work, he said: “If I had known I was going to be any good, I would have tried harder.”

Here is our post on Sir Quentin Saxby Blake. https://t.co/XOVSiz2naD

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