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Jean-Pierre Granger (11 March 1779- 1 December 1840) was a French painter

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Born in 1775: French botanist and illustrator Pierre Jean François Turpin, illustrator of these mouth-watering strawberries from 'Pomologie française' by Pierre Antoine Poiteau. See more botanic illustration of 🍓 🍑🍒 in : https://t.co/3YUwWfknPb

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Pierre Jean François Turpin was born in 1775. He learned botany from his collaborator Pierre Antoine Poiteau, but taught himself how to draw; and he didn’t do too bad a job judging by these fine examples held in the Lindley Library.

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Desenho do french boy Jean Pierre Polnareff que fiz pro da
Espero que gostem

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and here he is alive in his original clothing
Françoise Gervais St. Pierre
we hate him

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Tender and refined painting! Thanks dear Diana!
Good week to you and all!

💙💚💙💚

The hand that rocks the cradle Is the hand that rules the world
(William Ross Wallace)

Pierre-Auguste Renoir – L’enfant a la pomme ou Gabrielle - 1896 🎨

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i have a feeling a lot of the people who liked/RT'd this don't know pierre ?

so im here to tell you all to watch The Idolmaster sideM (on crunchyroll) for pierre

he is a (self proclaimed) prince from the land of frogs and is very pure and loves to make people smile 100% ANGEL

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J'en profite pour vous rappeler que Pierre Bonnard, lui, est toujours à la recherche de ce talent (on ne le dit pas assez)

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Oh to be a robot bartender stylized off a porcelain doll with an over-complicated design (Pierre)

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Pierre Soulages.

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Le Jardin de Pierres, un "vieux" dessin numérique que j'aime encore
(j'en peux plus de mes croquis en numérique, ils sont encore plus laids que mes croquis sur papier - Vous avez vu la tronche de ce pauvre sanglier ?)

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Chaise Lounge LC4 - Le Corbusier, Pierre Jeanneret, Charlotte Perriand - 1928

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Jean-Pierre Gibrat (b.1954)
Café

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Pierre-Hugues Hetu’s “A Face of the Universe”

“Puguess”
Québec, Canada 🇨🇦
https://t.co/f7x8tRYuG0

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J'ajoute ma pierre à l'édifice. L'ost de nier automata est bien appréciée à ce que je vois ❤️ https://t.co/8EcZy8i0dJ

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🌋 “It is desirable for a painter, at least once in his life, to witness the Eruption of a Volcano.” —Pierre-Henri-Valenciennes, 1799

Early plein-air painters risked it all to practice their skills, including painting active volcanoes. See more examples in

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