//=time() ?>
The Visitation (1518)
by Raphael
Style: High Renaissance
#art #painting #artoftheday #Raphael #HighRenaissance
Dialogue theories for these ineffable drunken entities anyone?? 🍻
Full panel WIPS like these can be seen on my Patreon! 💖💜💖 #GoodOmens #Crowley #Aziraphale
'Cinderella' - Edward Burne-Jones.
#FairyTaleTuesday #preraphaelite
Weird bird/angel aziraphale is... so funky... I love him he looks like a sesame street character
These are Turtles! ☄1/1💥 $XTZ
Yes, they are already here❤ #turtle
Just on @hicetnunc2000 🔥🖤
#pixelart #cleanNFT #art #NFT
Sand, Anarchy, Raphael, Knight & Cyberpunk
17275, 17277, 17279, 17284 & 17286
https://t.co/CBKBUFYpgP
https://t.co/KDY83vOX3S
https://t.co/HVc1gqBNRU
John William Waterhouse’s c1890 oil -The magic circle, pre-raphalite style depiction of Shakespearian-like fantasy,. Interesting and mysterious impression, Likeable #ART; My latest WCs tempt fantasy but shun mystery: https://t.co/DV4DYZT54T
Crowley coming back to a soft home with a soft husband after a long day of mischeif 😌
-
#aziraphale #crowley #goodomens #michaelsheen #davidtennant #neilgaiman #ineffablehusbands #ineffablewives
@Kinks4K #SeductiveSins #zine exclusivity period ended yesterday! I colored @catofapocalypse 's glorious linework in this sticker for Greed.
#artistcollab #goodomens #ineffable #ineffablepartners #ineffablehusbands #crowley #aziraphale #naga #artistsontwitter #Kinks4Kindness
@RTheflower Epic redraw of that one catmaid art I did last month (w/ one alt. design)
.
.
#seraphazeart2021
the commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello (Raphael Rooms), in the Apostolic Palace in the Vatican. The Vision of the Cross is located in the Sala di Costantino (Hall of Constantine).
Illustration of Aziraphale and Crowley from https://t.co/4Wbv2XIK0R by Laura Shapiro
Full - https://t.co/oa1sZl3uov
#goodomensfanartnsfw
Raphael’s career falls naturally into 3 phases and 3 styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–08) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome.