Ernst Ludwig Kirchner, Woman, Tying Shoe (Frau Schuh zuknöpfend), 1912 https://t.co/wf7y5aqLsH

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'Under no circumstances shall we submit to Hole Rule' — Anti-Home Rule postcard, ca. 1912, showing the Ulster bulldog standing against the spread of 'Home Rule Territory' (text below the bulldog's feet reads 'What we've got we'll hold')

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As a teenager, Schiele sought out Gustav Klimt. The two formed a mentor-student relationship. Schiele was a Klimt favorite. Wearing their signature black caftons, Schiele's double portrait with Klimt; "Hermits" (1912)

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'For it is love that I am seeking for,
But of a beautiful unheard of kind,
That is not in the world.'
- W.B. Yeats, The Shadowy Waters

Tristan and Isolde (1912) by Rogelio de Egusquiza

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Wagtail and Lotus, by Ohara Koson, 1912-1918



https://t.co/UPcRV633Rq

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In 1912 he exhibited with the Blaue Reiter in Munich & in 1913 at the Armory in NY. He also illustrated Max Jacob’s poems in 1912. Still Life (1912), the Grove (1912), the Seine (1912) & Le Samedi (1913-14). He became the archetypal French painter

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Vladimir Baranoff-Rossiné (Russia 1888-1944)
La route au village (1908-1912)
oil on canvas 70.9 x 90 cm

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🌍 The game-birds & water-fowl of South Africa
London, Witherby & co., 1912.
https://t.co/W558nm4Owb

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Seen from behind: schematic and radiological images of the chest as shown in the text "Surgery of the lung", by Karl Garrè and Heinrich Quincke, published in 1912.

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"El segovianito" by Ignacio Zuloaga, 1912

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Dancer in a café (1912)
by Jean Metzinger
Style: Cubism

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安全第一というスローガンには「品質第二、生産第三」というスローガンがある。元々このスローガンはアメリカの企業で使われていたものであり、1912年に日本に入ってきて、当初は「安全専一」と呼ばれていた。

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