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Absolutely this…started my passion for the cosmic side of #Marvel.
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#XMen #107 (Vol. 1, 1977)
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W-#ChrisClaremont,A-#DaveCockrum,I-#DanGreen,C-#AndyYachus,L-#JoeRosen
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#MkraanCrystal #ImperialGuard #Starjammers #MarvelComics #MarvelCosmic https://t.co/Z0wt0HMFWw
@lulumeraki Divulgando minha arte é isto (nao tenho ideia doq tweetar vou deixar minhas artes falarem por mim vius)
The drawings show figures of the people Princess Victoria encountered while staying in Ramsgate and then Claremont House, from November 1836 to January 1837, including sailors and a family of Travellers.
"Quando eles escalarem o garoto para me substituir, seja no próximo ano ou cinco, irei assumir a responsabilidade de ensiná-lo sobre as responsabilidades de ser o Homem-Aranha. É absolutamente enorme. Cada vez que você anda fora dessa porta, você está representando o herói." 🕸️💬
“Autumn on the Coast”, 85X85cm, oil on polycotton.
#oilpainting #richardclaremont #creative #painting #artgallery
Tire uma foto do seu olho e deixe as pessoas falarem o sentimento que passa https://t.co/JEeJJb4mXx
Mañana estrenamos un nuevo programa y formato.
Hablaremos con la auténtica reina de la geometría, del retrato y del minimalismo. Le gusta Star Trek, la música bien alta y creemos que tiene que dibujar bien.
Chequead qué tremenda jefa es la tía
@mariapicasso
The more I study clouds the more like landscapes they become.
Columns and canyons, levels and layers, drifts and waterfalls… they are all there when you look closely.
“Western Light”, 85X85cm, oil on polycotton.
#oilpainting #richardclaremont #creative #painting #artgallery
The villains had gotten a bit generic in the waning arcs of Claremont’s run, coinciding with a change in editorial direction and artist-input. Where C had injected nuance to UXM villains from very early-on, the last few stories featured wall-to-wall evil megalomaniacs. 4/8
El Dia de hoy cumple años mi mejor amigo, así que le regalaremos un pack de emotes e icono para su canal de twitch!
➡️ Full Dibujando el dia de hoy!🎨
https://t.co/Ds0ahslWLp
pd: el dibujo son mis 2 mejores amigas que me siguen en cada locura que hago
Deadly Hands of Kung Fu #19 went on sale Nov. 4, 1975!* Cover by Bob Larkin, story by Chris Claremont & art by Rudy Nebres. Archie Goodwin & John Warner (associate) were editors, Barbara Altman the designer & Len Grow the producer. Roy Thomas was Editor Emeritus.👊
*@RackSpinner
Claremont portrays Rahne Sinclair as a small child with big emotions and very little capacity to express them as a result of a traumatic upbringing. In New Mutants #26, Claremont uses Rahne’s reunion with Moira to showcase this dynamic. #xmen #newmutants 1/11
The tide rolls in and leaves the most placid of calling cards…
“A Rockpool and a Sunrise”, 35X45cm, oil on board.
#oilpainting #richardclaremont #creative #painting #artgallery
Los espero hoy a las 8:30 P.M. (hora México centro) para el especial de Halloween! Veremos películas, jugaremos jueguitos de terror con invitados y con ustedes (Roblox xD) y hablaremos por discord! los espero!
Gracias @seraphuuu por el dibujo 💕
That parallel informs the scene, leading the reader to hope for a similar hail mary – Claremont and Byrne seize that hope and let it linger on extensively to create a sense of anticipation for the moment of uplift that the reader craves. And then Gladiator emerges. 3/7
In the fateful climax of the Dark Phoenix Saga, the X-Men find themselves fighting for the life of Jean. During the battle, Claremont & Byrne expertly use a conflict between Colossus and Gladiator to symbolize the impossible: the X-Men aren’t going to win. #xmen 1/7
@DaveTho55529017 Definitely up there…damn there’s a lot of great iconic ones in the Wein/Claremont/Cockrun/Byrne era though.
These 4 (and about 10 others) come to mind as rivals for most iconic! Great era!
Las previews de Shin Megami Tensei V ya están comenzando a salir de la mano de la prensa, en este hilo recopilaremos todas las primeras impresiones de #SMT5.
While Claremont’s “method writing” approach is well-known and well-discussed, his partner on Excalibur, Alan Davis, is on record in interview as taking a similar approach to his figure drawing, offering an explanation to the enduring poignancy of their collaboration. #xmen 1/5