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全く癒えよ
此心地全く癒えようす色の椿もひらく三月は来ぬ
──片山廣子『翡翠』
"The water I give them will become in them a spring of water welling up to eternal life."
──John 4:14
📸©Laura Makabresku,©Takashi Tomooka,©Natalia Drepina,©Monia Merlo
Fight of the Poursuivante
Crepin's wonderful depiction of seabattle, Fight of the Poursuivante and Hercules: https://t.co/KJ14qHweQe
one day i'll give an oc a name
but today is not this day
#oc #originalcharacter #myoc #characterdesign #hoodiesarefab #soarepinkcatshoes
The artist Benois liked his work but Repin disliked it. He produced his iconic Bathing of a Red Horse in 1912. The Dream (1910), Boys Playing (1911) & Bacchante (1912). The Red Horse (next Tweet) was to be prophetic of politics to come.
@indiedayglow, hey there. This is @andreitr and in addition to this account I also run the account for Ilya Repin @artistilyarepin. Check it out
https://t.co/BFcPLTzeUQ
Artwork by Kirill Repin (Repin K)
Warriors / Pirates
https://t.co/Ns59BHm4fV
¿Que demonios esta pasando conmigo? ¿Por que estoy empezando a dejar de odiarla? ¿Por que su skin de Battletoad me esta dando tantas victorias seguidas? Acaso.... ella y yo estábamos destinados a... no odiarnos?
NO! Ella mato a Ms.Fortune Jeno, pero...ella se arrepintió...
FUCK
.
Ilya Repin (Russian, 1844–1930)
Portrait of Vera Repina, the artist’s wife
1882
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Ph/©Toel Moum, 2020
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@MatthewWedge, good move following me! It’d be an even better one if you followed Ilya Repin @artistilyarepin 🙏. Cheers, @andreitr
Portrait of Leo Tolstoy as a Ploughman on a Field, 1887 #repin #ilyarepin
Christian Köhler - Ilya Repin - Felix Vallotton- Sonia Delaunay https://t.co/9RZwJC6JdJ
Today's #PFOTD #294 is Fleet made by Bally in August 1940. This #Pinball was flipperless and had a round rotating target in the center with 3 cannons that the ball would hit for more points. The score on the backbox was made only with various lights. #Arcade #PlayMorePinball
https://t.co/iiE60wrIfM
Artwork By Kirill Repin
Witches / Wizards
https://t.co/Ns59BHm4fV
"Sadko in the Underwater Kingdom" (1876) by Ilya Repin (1844–1930). Oil on canvas; 323 cm (10.5 ft) h x 230 cm w (90.5). Russian Museum, Saint Petersburg, Russia.
D'ou vient l'expression veiller au grain ?
Cette expression née au XIXe siècle est du domaine maritime où le grain était une tempête imprévisible, contre laquelle il fallait être très vigilant.
Peinture de Louis-Philippe Crepin 1800
@VicoLudovico @agustin_gut @scastaldi9 @CristianeGLima @Rebeka80721106 @neblaruz @ValerioLivia @CaterinaCategio @bmarczewska @gori_magnani @marialves53 @maype7 @xaloc7 @martinis2018 @smc_su @dianadep1 @famartinez2001 @ampomata @albertopetro2 @AlmiraUva @lissablu68 @anne_camozzi @Asamsakti @CasaLettori @redne2013 @Biagio960 @ritamay1 @RitaCobix @mariagonzalezf5 @BrindusaB1 @BaroneZaza70 @SusanScCastaldi @josepcampo @SilvioBalsamo1 @matibo11 @angelicadisogno @arteeblog @ANNAMARIABIASI1 @artdielle @AlessandraCicc6 @VAlivernini @semicvet50 @artmajcar @fra852 @ArteSelezione @GuernseyJuliet #art #ArteYArt
Ilia Efimovich Repin