Another one!

(Walters Art Museum, MS W.34, f. 24v)

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of the Day: Portrait of an Old Man, December 1885. Oil on canvas, 44.4 x 33.7 cm. Van Gogh Museum, Amsterdam.

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If you missed my harsh review of Arctic at the British Museum, it's here. https://t.co/3fp3OasluR Did I really say: 'It feels as if it learnt much of its anthropology from watching Frozen'? I'm afraid so. That's why I try hard to make up for it on tomorrow's Waldy&Bendy podcast!

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"I found nature."
"So when I go to the museum, grown plants, and ride my bike, it's part of a fight to keep myself from going insane"

- Kim Namjoon, Break the Silence

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The 139th RUA exhibition at Ulster Museum, Stranmillis. Tickets are free but required to allow for social distancing, book on https://t.co/vKG7lXX9Ql. The superb virtual exhibition continues on https://t.co/ZH0BicwjwK
Today's Pick of the Day is:
After the Rain … by Hazel Neill

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Edvard Munch (12 December 1863 – 23 January 1944) Love and Pain (Vampire), 1895, 91 cm × 109 cm (35 3⁄4 in × 43 in), Munch Museum, Oslo

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East City (uitsnede), 1999
In ‘Norbert Schwontkowski: Iedereen wil naar huis’, Den Haag

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Portrait of a Lady, ca. 1527-1537, by Pieter de Kempeneer (aka Pedro Campaña). I love the detailed landscape in the background and the sitter’s wonderful earrings!
(© Städel Museum, Frankfurt am Main)

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Edvard
Crouching Nude
1917-19
Munch Museum, Oslo

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Naaktstudie
In ‘Anders Zorn: De Zweedse idylle’, Den Haag

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Het strand van Brighton met een vissersboot (uitsnede), 1824
In de overzichtstentoonstelling ‘John Constable’ in het Teylers

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Mosaic emblema with a lion attacking a bull. Rome, Vatican Museums, Pius-Clementine Museum, Room of the Animals, 138. 118—125 AD.

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0ude eik in Surrey, 1890, Jan Toorop
In ‘Diepgeworteld: Bomen in de Nederlandse schilderkunst’,

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1640 João IV/John IV (the Restorer) becomes King of Portugal thus ending the Iberian Union between the Kingdoms of Spain and Portugal under the Spanish Crown which started in 1580 under Philip II.

Painting by Veloso Salgado, Military Museum, Lisbon

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Continuity of geometric patterns between Greek vase painting & Roman mosaics also true for figuratives. Documenting & reproducing allows me to better understand some techniques.
Persephone and Hades Kylix, ca. 430 BC, British Museum, Original & Digital Variations

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Uiterwaarden bij Salisbury, ca 1820-1829
In de overzichtstentoonstelling ‘John Constable’ in het

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