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The Amazing Spider-Man (2018) #48
Spider-Man has a little help from his spider-friends and a difficult decision to make. Writer Nick Spencer, Penciler Marcelo Ferreira, Roberto Poggi, Colorist David Curiel: A bit overlong, but the external/internal dialogue was fascinating. 4/5
A quick comic panel that I've been working on for the past few days. It's probably gonna have some cringe ass dialogue
you cannot talk to women in the game, when you try to talk to them they just go "shhh, you arent allowed to talk to us!" and this dialogue appears
I loved Gyro Zeppeli from when he showed up, his character design is so over the top but also great. Throught all of part 7 he has genuinely funny joke and dialog but the thing that made me fully love him was near the end when he and Johnny revealed their secrets https://t.co/WBBFtWIUll
Write a caption on what is happening in this image or write some fake dialogue to Knuckles and Amy!
omen commission by dialoguelostloop at tumblr!!! i am being spoiled with two versions!!
#17dicembre è in corso il webinar Dialoghi sotto l'albero, si parlerà di tradizioni e collezioni dei Musei Reali. Per collegarvi: https://t.co/ACWA4676bj
Much of this issue is like a bizarro world version of the FF’s first encounter with the Mole Man, with scenes and dialogue lifted from FF#1, and placed slightly askew.
Thank you @SariyahJohnson9 for making our social media logo, and for being a member of our art team!
#digital #art #artist #digitalartist #webtoon #rikona #rikonawebtoon #logo #socialmedialogo #socialmedia
More games or fighting games in general where a characters victory pose/dialogue tree changes when your health reaches a certain threshold, I love for that shit
With its doublings, quantum physics, impeccable five-minutes-into-the-future costume design, dialogue that's so abstract it sometimes doesn't quite land through human voices, and deeply inventive action, TENET is the closest thing we ever got to a real Metal Gear Solid film.
In ‘Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party’, Assistant Professor of History of Art @uonarthistory, @larapucci examines Renato Guttuso’s sustained dialogue with Guernica in his art and writing https://t.co/CXY2IkJvHW