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Hoy se cumplen 6 años desde el fallecimiento del Legendario CEO de Nintendo:
Satoru Iwata (1959 - 2015)
#RIPIwata
"That? Oh, that's nothing. Just something I was fooling around with."
Charles Addams
Original art
The New Yorker, January 3, 1959
#CharlesAddams: Old Master or Modern Master? https://t.co/LVZ4jWvSnd #TheNewYorker
Also 'new to me' this evening three masks by Leonora Carrington for a 1959 production of The Tempest
THE 400 BLOWS
(dir. François Truffaut, 1959.)
#sidebyside
LA FLEUR DE L’ÂGE OU LES ADOLESCENTES
"Ako"
(dir. Hiroshi Teshigahara, 1964.)
★作家紹介
#少女の聖域 vol.2〜跳躍と疾走
trevor brown|painter
born in london, england, 1959 - worked in graphic design and advertising agencies - moved to japan in 1993 and developed the babyart style.
*画像は本展出品作(新作) https://t.co/w0awXDgrcE
The sublime Alice in Wonderland illustrations by Tove Jansson for a 1959 Swedish edition of the classic. To break away from the traditional Tenniel illustrations, Jansson would often illustrate new subjects from the book, such as Alice walking with her cat Dinah.
宅録少女 -Tokyo Studio Girls-(2/4)
https://t.co/shutmFKehX
#Neve_1073
#BRAUNER_VMA
#Martin_D18E_1959
#Orange_Rockverb
『 #ハートカクテル 』名車紹介
1989年作品「2匹のヤゴ」より
美術館前に路駐している2台の車、左はフランスの大衆車ルノー4(1961-1992)、右はイギリスの小型車オースチン(orモーリス)・ミニ(1959-2000)のライトバン仕様と思われる
それにしても素敵な街角です👍
Today in 1959 Donald in Mathmagic Land was released alongside the film Darby O'Gill and the Little People. Directed by Ham Luske, the short follows Donald Duck on a journey through a magical land ruled by mathematics, to learn how math is a fundamental element of our daily lives.
"From The Greyble To The Grave" (finale) by Carl Wessler and Angelo Torres, from Eerie Tales#1 (1959 Hastings Associates).
"From The Greyble To The Grave" (chapter one) by Carl Wessler and Angelo Torres, from Eerie Tales#1 (1959 Hastings Associates).
今日 6月25日は天覧試合の日
1959年の今日、プロ野球初の天覧試合(巨人-阪神)が行われた日。
村山実が大阪タイガースのエースだった時代。ザトペック投法の人ですね
#きょうのさめ君
#イラスト
#illustration
#絵描きさんと繋がりたい
Reinhold Rossig (1903-1979). School and Church (ca. 1959, watercolor and ink on card, 36.9 x 22.4 cm) & Slave Owners (1954, watercolor and ink on card, 36.8 x 22.4 cm). Stiftung Bauhaus Dessau.