3) How might the decolonization of art history impact upon your own area of research/practice? What would be produced from it? Might anything have to be jettisoned? https://t.co/fsUpVCa6Zg

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2) What is your understanding of decolonizing art history now? What does a decolonized art history look like? How should it be written/practised? https://t.co/fsUpVBSvAG

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This shop probably wouldn’t survive a event! Pellat & Green’s London shop features displays of lead-crystal glassware, which served as symbols of refinement & wealth to the elite.

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in 1821, Hercules Brabazon Brabazon was born.

Image: Hercules Brabazon Brabazon (1821-1906) ‘Garden Scene’, 1900, watercolour on paper, 17.5cm x 25.5cm, John Pennefather Bequest 1987.


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Rising to international prominence in his early 20s, Jonathan Yeo has painted Prince Philip, Tony Blair, and David Cameron among others.

Discover more about on Artory's free price database. https://t.co/ICBjBV8pee

“Damien,” 2013.

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Composition VI - 1913
Vasili Kandinsky (1866 – 1944)
Saint Petersburg, Hermitage Museum


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Check out Prospects of Empire: Slavery and Ecology in Eighteenth-Century Atlantic Britain, an online exhibit from Yale University Library, curated by Hazel V. Carby and Heather Vermeulen!

Check it out here: https://t.co/8HT0ah9JwF

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"The line does not exist, it is already form. Shadow does not exist, it is already light."

Jacqueline Lamba (1910–1993) in

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