Stylish gentleman: Esp. like the six-pointed stars repeated on the buttons of both waistcoat & coat - plus extra love for that carnelian pinkie ring. "Portrait of an English Architect" unsigned, 18thc English School

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Today’s is a fancy dress costume from 1820. It’s an interesting regency interpretation of the renaissance, made of satin, glaze and silver trimmings.

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In honor of my job , today's is all to do with airplanes! There are three fashion illustrations and one excellently executed example of how aviation has been the inspiration for fancy dress since its beginning.

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Today's is Miss. Stevenson dressed as "Photography" to a fancy dress ball in Montreal in 1865. She took the idea from a fashion plate (like those pictured) Also, note that she is showing her ankles, something quite scandalous at the time.

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Portrait of the Frankland sisters by John Hoppner gives an idea of the styles of 1795. Hoppner achieved fame as a brilliant colorist and first exhibited at the Royal Academy in 1780.

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Eyes by Erté. Born Romain de Tirtoff in St. Petersburg in 1892, he began drawing costumes aged 5. Erté moved to Paris to work (very successfully) as a fashion illustrator & costume designer. His style became popular again in the He died in 1990.

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The wild hairstyles of 1839! Note the “mechanical” brushes meant to deliver cleansing products for men’s beards w/out sullying one’s hands. Les Cent-Un Coiffeurs de Tous les Pas.

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The Genoese Noblewoman (1625-1627) by Anthony Van Dyck reflects dress trends of the early 17th century, particularly in Genoa, such as rich silks ornamented with metallic lace, starched ruffs and the deep "V" shaped bodice.




https://t.co/snwkFjZNjy

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Puce: a colour favored by Marie Antoinette & popular in the late 18thc/ early 19thc. Puce is French for flea; the colour is described as resembling congealed blood or a flea after it’s been crushed on white linen— a familiar shade in its heyday.

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A charming little illustration by A. E. Marty found at the bottom of a page of the January 1920 issue of Gazette du bon ton.

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A stunning design by Madeleine Vionnet which was licensed by the American ready-to-wear manufacturer A. Beller & Co, c. 1928.

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Did you know that American department stores used in-house designers to create original fashions for specific clients, advertising the garments exclusive to the store? Read the part 2 of our thematic essay to find out more!



https://t.co/qqWOgYMzCs

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This Poiret promotion underscores how he was creating styles reflecting the popular s-bend silhouette, a trend he would later claim to hate. From Costumes, for Paul Poiret's summer 1906 collection.

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“Thank you... I thought it might be too much...?”

Was there such a thing as ‘too much’ for the eighteenth century gentleman when it came to choosing an impressive outfit?

Find out at our next lecture Tue 19th Feb

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Incredible sketch drawn for a designed by Seymour Moss, whose company MOBA created gold & gemstone “fashion jewelry."

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A rare 1837 fashion plate of a woman in a sporting ensemble featuring pants. It would be another 15 yrs before Bloomers emerged. Journal des dames et des modes, 1837.

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