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desenho da frink do undertale. sim a frisk é muié, se tu falar "o frisk" eu vo te da um socão.
background by: W-Violett-D (on devinart)
OWAHHHH i found old art of my first ever splatoon oc THI SIS ANCIENT his name was Frink
The True villain of the story.
Frinky Gusto!
A Character made by
@NitroRad
Yay! Decided to post this everywhere! I wanna share my frinkly old asss!
#digitalart
decided to start posting about my non-fan ocs...I call them the Daemons (in order: Frink, Devlon, Lucy, and Dottie)
#original #oc #originalcharacter #daemons
I wanna put over animation director @Matt_The_Ferg as a dude who GETS IT.
I prepped a young Professor Frink/Otacon hybrid voice to audition for Grossology, but he encouraged me to be myself. (I also snagged some Chris Tucker influence.) That perspective started my 14 year career.
I had never seen this particular etching by the late sculptor and printmaker #DameElisabethFrink . I am delighted to say that it is going to be in our next show which opens in March #BritishSculpture #Royalacademician #DBE #doglovers
Elisabeth Frink가 수채화로 그린 말의 모습 몇 점...
조각가로서의 해부학적 비율에 대한 감각과, 농담을 이용하는 동양적인 기법이 합쳐진 멋진 작품들이다...
Our #WeAreVenom Creative Brief ends in 10 hours! (11:59PM UK TIME)!
Here's some stunning entries from @szarkaArt, @bellagraceart, @michaelmcgee15 and Kyle Frink. 🔥
View the brief here:
https://t.co/LyMXAJu1S3
#Venom @Todd_McFarlane @VenomMovie @SonyPicsAtHome
Sleeping Fox, 1968, demonstrates Frink’s unromantic awareness of the vulnerability of the animal world.
Her work "always packs an emotional punch" for Chris Ingram, Founder of @IngramColl.
On display until 6 Jan: https://t.co/ebDhiyQUfH
Elisabeth Frink (1930–1993); 'Wood Pigeons’ 1967; Lithograph on paper.
Elisabeth Frink was fascinated by man's relationship with horses, and that with one swift movement, a horse could throw its rider from its back! 🤕 Rolling Over Horse, 1979, is on display until 6 Jan: https://t.co/ebDhiyQUfH
#ArtHistory 1930
Dame Elisabeth Frink was #bornonthisday in #Suffolk.
#art #artist #artists #fineart #modernart #britishart #figurativeart #sculpture #sculptor #botd #onthisday #otd #discoverher
horse and rider 1950 is just one of the amazing drawings by Elisabeth Frink in our major exhibition @SainsburyCentre @uniofeastanglia
“What really interested me," Chris Ingram says of Frink's work, "Is how much her style changed over the years.” Wounded Horse (1989) saw her style change from soft watercolours to bold, harsh acrylics.
Explore our Frink exhibition till 6 Jan: https://t.co/ebDhiyQUfH