1917のTwitterイラスト検索結果。 45ページ目
Happy February 1st everyone! Here is a beautiful, vintage calendar by Theo van Hoytema (1863-1917) a Dutch artist I love 💚 (click to open)
Thanks for commissioning!
from @ Bolkov1917
I now draw humans too 👍
本日2/1〜2/14、 #東急ハンズ新宿店 で、おもしろ同人誌バザールinハンズが開催されます！
「音食紀行」は、下記2作品を委託しています。
１．ロシア1917
２．シャーロック・ホームズの食卓2018
よろしくお願いいたします！
#おもバザハンズ
#おもしろ同人誌バザール
Do you enjoy winter weather? ❄️
Painting: Eliot Candee Clark, View from the Van Dyck Studios, ca. 1917-22, Oil on Masonite
#eliotcandeeclark #art #winter #snow #inspiration #reartiste #NewYorkCity
#grandimaestridarte
"Si può presentire intimamente, nel profondo del cuore, un albero autunnale in piena estate; io vorrei dipingere questa malinconia"
✍#EgonSchiele
🎨 Egon Schiele - Four trees, 1917.
Olio su tela: 110,5×141 cm.
Il Belvedere Superiore, Vienna
Ikeda Shōen (1886-1917) Girl with a cat (少女と猫, Otome to neko), lithograph
Jacob Lawrence, American, 1917 - 2000
Olympic Games Munich 1972
1972
Oskar Kokoschka, Plate from The Dreaming Youths, 1907-08 (published 1917) https://t.co/jcGCOCDlF1 #oskarkokoschka #printsanddrawings
Oskar Kokoschka, Käthe Richter (Head, Slightly Tilted Back) [Käthe Richter (Kopf, leicht zurückgeneigt)] (plate, preceding p. 289) from the periodical Das Kunstblatt, vol. 1, no. 10 (Oct 1917), 1917 https://t.co/d9c3BFPYSg #museumofmodernart
Carducius Plantagenet Ream (1838-1917) - Still Life with Grapes [2255x3542]
He had an exhibit at the Berthe Weill Gallery in Paris. It lasted several hours before being shut down by police! Venus (1917), Girl in Blue (1918) & Gypsy Girl with Baby (1918)
#Arte #ArtLovers #DonneInArte
“Quello che cerco non è né la realtà né l’irrealtà, ma l’inconscio, il mistero dell’istinto nella razza umana.”
Amedeo Modigliani (✝️24 gennaio 1920)
🖌Modigliani, Ragazza con camicetta a righe, 1917
Coll. priv.
Oskar Kokoschka, Job and the Maidens (Hiob und die Fräuleins) (plate, page 35) from Hiob (Job), 1916–17, published 1917 https://t.co/fIAhCPsrpf #museumarchive #museumofmodernart
'Sutton Courtenay'~ Sir John Lavery, (1917)
Lavery was a good colourist - evidenced here by the cool blue tones of the shadow s on the first punt, the repetition of these and the yellow of the dress in the bridge in the background and the green depths of the water below.
