画質 高画質

Merboy warmup and subsequent drawings. I'm feelin productive and decided to play with lighting and gradients. Here ya go!

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thanks to 's advice i was able to keep the romantic pink gradient for the image while still being able to keep his skin tone as it should be. there's a lil more shading on him for the campfire light but its still a wip

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Added a little gradient. Still feeling like it's not finished enough, but I guess that's the point of it being a "sketch." Looking forward to trying again soon.

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testing with a gradient map

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gradient mapping attempt! i've never done textures like this. no face yet.

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TJ kept saying to do a painting so I said no

but I wanted to play with gradient maps again

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In case anyone is interested, here are roughly all the steps I went through this time! Before, I used to just paint on a blank canvas basically without any base. This time, I sculpted first, diffuse baked, put gradients on that and then went into my usual texturing phase :)

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‘Rainbow Waters - The Betta Fish’ by ECMazur https://t.co/9l0ZTr0fRs

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The transparents in both gradient and non-gradient

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I drew this ridiculous Palmer so I could demonstrate how I use gradient maps to cheat all the time in coloring in my latest Patreon stream!

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made these at school to test out my tablet's drivers on the school comps while mine wasn't working. also playing w gradient mapping so the colors are all weird but w/e it was fun!!

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I've learned how not to use colour and gradients, but white background is still the best one.

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Today was spent learning to make diagrams of tammar tooth development, as you can see I've so far mastered the gradient tool 😋

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Ria in Lloyd Irving cosplay WIP 2.

Hopefully, I'll shade it and remember the exsphere.
If not, I'll just use gradients and most likely forget the exsphere.

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Gradient maps make these backgrounds very simple and enjoyable to make. You can move the colors around like putty with good map.

Read from the beginning here. https://t.co/lYdCjuU8wx

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Just printed: Noon (in gradient and solid), 8"x8" two-color reduction oil ink on kitakata paper

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