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remade this drawing from 2017. still find it crazy just how much i changed in 4 years :) im really happy
(redraw is on left, old drawing is on right)
Old VS New Art!
this was the oldest digital art i can find on my old drive lol i could def see an improvement😂
2017. 2021.
🔖 TOP 20 HOTTEST LOOKING BL COUPLE 🔖
TOP 4 - Hyesung x Seungchan (Crash into Me) 404,823 (17.6%)
🔗 https://t.co/55BxwQb87Q
こみそ 2017.10
小さすぎ系姉
声とリアクションはでかすぎ
ノリが芸人タイプ
ここみそ 2019.08
喋らなさすぎ系弟
平均ど真ん中なのにでかく見える
もはや双子に見られる
みそ アラサー
2児育児瀕死系母
単身赴任超ワンオペ中
してなくてもワンオペ
よろしくお願いします~
#2mam_twoff
#2mam_PR
Kseniia Boko, “Breathe”, oil on linen canvas, 9.8 x 13.8 x 0.6 in, 13.2 x 17.1 in framed, on exhibit through April 25th, 2021.
View the entire exhibition on our site: https://t.co/lWI7E0ysSt
To inquire: info@havengallery.com
#kseniiaboko #painting #art #fineart #women #glow
@dorito_doggo One decade that I know Phineas for my further drawings until 2017... I felt very fun to do since your ideal creation with crossovers on fan wikia. =)
At least, in reality, I'm sadly waiting to release an official Felix reboot, made by DreamWorks, since 5 years.
@StockmanNate The third one reminds me of one of my old sketches feom 2017.
17. oldest is gonna be Regrik, he'll live about 420 years, and the youngest is Grug, 2 days
I painted both of these pieces in 2017. Wow i cant believe that's 4 years ago!!
im really so grateful that you let me be part of your homes through my space art 💖🙏
I promise to fill your feeds w/ more space jokes & stunning paintings & images of the cosmos 🌠
For #EarthDay2021, Amelia Long, b. Hume, later Lady Farnborough's (1772-1837) View Taken from the Grounds at Bromley Hill, Kent, oil on canvas, 50 x 61.5 cm, which she probably exhibited @RoyalAcademy in 1817.
#WomenArtists #WomensArt
五悠色彩日记
Day 117. *请你* -> 【白无垢】
“欸——悟为什么要把被单盖在我头上呀?是什么奇怪的仪式吗?”
“因为、这样做的话,你就没办法离开我了……”
“噗嗤……虽然不知道是某种术式还是什么束缚之类的,但是呀,就算悟不这样做,我也不会离开你的噢”
*我流诅咒之王虎杖悠仁和小悟www
#FrescoFriday - a bright start to the morning with this fresco of wide-eyed faces from the House of the Golden Bracelet, Pompeii (VI.17.42). They are sometimes interpreted as theatrical masks, but the mouths do not suggest that to me.
Image: Parco Archeologico di Pompei (40693)