34),のTwitterイラスト検索結果。 127 件
05/18創集繪(M34)，06/02DAの休日
新刊(オメガバース［ABO］)
實體書通販預計之後開在買動漫，電子版6/2號上架
日本語版は後日にアップします、まだ翻訳してないのですみません！！！😭🙏🙏🙏
1/3
#ちさたき
Like today, 🔀
29.03.1870
Rebel #PavlosMelas was born, his life a lesson in
#Courage.
He died at 1904 (34), so he did not have time to see #Macedonia free.
The #madness of this nation is hereditary. It is passed down for #generation
#toGeneration.
Charles-Antoine Coypel (1694-1752): 1) “Perseus and Andromeda” (1726-27), 2) “Fainting of Armide” (1734), 3) “The Destruction of the Palace of Armida” (1737), and 4) “Fury of Achilles” (1737).
Caricature & satire were his genius. His vision was of a just & honourable society. The Headache (1833), Freedom of the Press (1834), Modern Galileo (1834) & Past, Present, Future (1834). The latter is a picture of the king.
It’s fascinating to see a Martin blockbuster applied to the Coronation. It’s likely his royal friends were delighted but to modern eyes the doll-like figures seem strangely butterfly-like. The Deluge (1834), Manfred & Alpine Watch (1837) & The Coronation of Queen Victoria (1839)
Komodoz familiars from @ZionMultiverse are my prized digital pets! There are 7 different colors blue (34), ethereal (26), gold (21),green (20),purple (24),red (29), zeal (32) and 1 special toa which total 187 at this time. My goal is to collect 1 of each for my collection!
Rare manhwa rec:
Since many of you like BL with heavy plot, you should read Count Tachibana, one of my fave ongoing BL manhwa! It's a historical mystery set in Korea under Japanese rule (1934), with beautiful art that uses vibrant colour schemes
https://t.co/8z9f5XCneM
アズールレーン（Azur lane） フォーミダブル（Formidable） (134),inushida (dogsheepsheep)
アズールレーン(Azurlane) フォーミダブル(Formidable) (134),inushida (dogsheepsheep)
John Collier (1850-1934), 1) "The Death of Cleopatra" (1890), 2) "Priestess of Delphi" (1891), 3) "Clytemnestra after the Murder" (1882), and 4) "Lady Godiva" (1898).
Susannah (c1634), Sacrifice of Isaac (1635), Belshazzar’s Feast (1636) & Portrait of Baartgen Martens Doomer (1640). Story telling is all in his religious works - tenseness, vulnerability & surprise. His portrait of Baartgen is a moving image of empathy.
His portraits are powerful images of his sitters. Centuries later we feel we have some understanding of who these people were & how they felt. Johannes Wtenbogaert (1633), Artemisia (1634), Descent from the Cross (1634) & Aechje Claesdar (1634)
Susannah (c1634), Sacrifice of Isaac (1635), Belshazzar’s Feast (1636) & Portrait of Baartgen Martens Doomer (1640). Story telling is all in his religious works - tenseness, vulnerability & surprise. His portrait of Baartgen is a moving image of empathy.
His portraits are powerful images of his sitters. Centuries later we feel we have some understanding of who these people were & how they felt. Johannes Wtenbogaert (1633), Artemisia (1634), Descent from the Cross (1634) & Aechje Claesdar (1634)
PREGUNTA OLVIDÉ PUBLICAR RHISS
Me di cuenta de que no he publicado arte de fedix en un tiempo (sin regla 34), así que aquí está tu puto fedix, perdóname por olvidar publicar esto 🥺
#fnafhs #fhs #fnafhsfelix #fhsfelix #fhsfede #fnafhsfede #fedix
Good day for #Ukraine. Very bad day for Russia's air force. Today 4 Russian aircraft downed (Su-25, two Su-30 & one Su-34), along with 5 UAVs & a cruise missile. Russia's air force has been ordered to attack more & is paying a high price for doing so. https://t.co/SqCSt2oj1K
His paintings of Hercules are unusual in his oeuvre in depicting mythology. His lamb of God is one of the great depictions of an animal in 17th C Spanish art. Hercules & Cereberus (c1634), Hercules Fighting with the Lernaean Hydra (c1634) & Agnus Dei (1635-40)