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Still working on edits for #AnnaCoraMowatt novel "The Mute Singer" for @librivox. Hope to have it ready for download by the first of next week. #VictorianLiterature
Have started recording #AnnaCoraMowatt's novel "The Mute Singer" for @librivox. #VictorianLiterature
This is not the official @librivox announcement yet, but here's where you can download #AnnaCoraMowatt's "Autobiography of an Actress." #theatrehistory #Victorianactress https://t.co/nwcJuFLu8Z
In the chapter of #AnnaCoraMowatt's autobiography I recorded for @librivox today, Mowatt relishes playing Parthenia who sweetly tames the barbarian Ingomar in a what some were calling a "woman rights" play in 1852. #theatrehistory #victorianactress
Have started work on audiobook of #AnnaCoraMowatt's autobiography for @librivox. Now reading her description of an 1837 performance by the extraordinary #MadameVestris. #TheatreHistory #VictorianActress
The production of #CharlesDickens' "Cricket on the Hearth" described in the story "The Prompter's Daughter" by #AnnaCoraMowatt was probably based on this Dec. 1845 production at the #LyceumTheatre. #VictorianLiterature #TheatreHistory (see the little baby in the back?)
My reading of #AnnaCoraMowatt's novel "The Fortune Hunter" (1844) is now (finally) complete and ready for (free!!) download @librivox https://t.co/hfeYhUy0MW Huzzah!!
Here's a clearer version of the illustration I used for this morning's blog on #AnnaCoraMowatt and the impact Swedenborgism had on her poetry and a link to a recording of my favorite of the poems referenced: https://t.co/aap2vHr6UF
Despite the fact that they were both in London at the same time, shared many interests and friends (as you can tell from the great pictures I find), I have zero #AnnaCoraMowatt / #CharlesDickens anecdotes to relate. Not sure why they never seemed to run into each other. 🤷
Here's my colorized and "prettified" version of the sketch from the Illustrated News. #AnnaCoraMowatt #TheatreHistory
I'm working on pictures of Mowatt in all of her major roles. Here she is costumed as Gertrude in Act I of "Fashion." #AnnaCoraMowatt #Theatrehistory
Visualization of how Mowatt might have appeared in the role of Blanche in her 1849 play "Armand; or the Peer and the Peasant." #AnnaCoraMowatt
This is the profile from the The Illustrated American Biography (vol. 3 (1855), p. 255) portrait remixed with hair from the Harral portrait. #AnnaCoraMowatt
This portrait comes from Abner D. Jones, ed. The Illustrated American Biography, vol. 3 (1855), p. 255. I feel confident in my minor corrections to Mowatt’s brow and eyelids here because this portrait is based on the photo used for her 1854 autobiography. #AnnaCoraMowatt