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➤ “Recuerdo de Mortefontaine” Jean-Baptiste Camille Corot, 1864, @MuseeLouvre; captura una escena idealizada sin dejar de dibujar del mundo real. La pintura temprana de Corot mostró inclinaciones realistas, pero después, comenzó a combinar elementos más románticos
🧶 /FIN
@BryanMatthews23 @StellaAmato4 @IanMillett1 @HeinzRudolf155 @AndreWisniewsk2 @DanielVanGeel @scastaldi9 @kh_hildreth @anne_camozzi @MorganaPictures @bgv_online @_die_Uta_ @yianniseinstein @DelficaW @LRonLacy @Bertrom @ScottDorian4 May an angel come to your aid today!
"Hagar in the wilderness"
Camille Corot, 1835
And now, at least as far as painting is concerned, it's to make stuff like this
(artists from left to right: Camille Corot, Eugene Delacroix, Louis Valtat, and George Inness https://t.co/KhW2Rj9Tep
@BryanMatthews23 @hayertalbema3ak @anne_camozzi @ZitoMaia1 @DelficaW @carmelitequotes @DanielVanGeel @HeinzRudolf1551 @LRonLacy @s8foG7DH44rRApy @Sensibilia8 @Llhyove @catyalesson @AndreWisniewsk2 @scastaldi9 @_die_Uta_ @WomensArtForAll Thanks for including us Bryan 🙏
Beautiful people and the beautiful outdoors.🏞
Celebrating the art of the Barbizon school and en plein air.
Ville-d'Avray by Jean-Baptiste- Camille Corot, 1867.
Orpheus Leading Eurydice from the Underworld – Jean-Baptiste-Camille Corot, 1861. [Museum of Fine Arts, Houston].
Jean-Baptiste-Camille Corot, “Orpheus Leading Eurydice from the Underworld” (detail, oil on canvas, 1861).
Jean-Baptiste-Camille Corot, Cattle at Pasture in a Wooded Valley, 1865-1875 #harvardartmuseums #jeanbaptistecamillecorot https://t.co/jlrbcxbiFJ
Jean Baptiste Camille Corot, La Cervara, the Roman Campagna, c. 1830-1831 #moderneuropeanart #clevelandartmuseum https://t.co/DRZ7LXyMQV
Jean Baptiste Camille Corot, La Cervara, the Roman Campagna, c. 1830-1831 #clevelandartmuseum #moderneuropeanart https://t.co/DRZ7LXzkGt
L'#8agosto 1898 moriva #EugeneBoudin. Pittore specializzato nei paesaggi della costa del Nord, ispirati a Corot, che lo chiamava il "re dei cieli" per la pregevole tecnica con cui dipingeva le nuvole e le sfumature di azzurro, con rinomati effetti di immediatezza e spontaneità.
Jean Baptiste Camille Corot, La Cervara, the Roman Campagna, c. 1830-1831 #museumarchive #moderneuropeanart https://t.co/DRZ7LXyMQV
Camille Corot, Diana and Actaeon (Diana Surprised in Her Bath), 1836 #camillecorot #metmuseum https://t.co/FwXqauhMf4
@Yeetbotman Here are some more highlights: Bulchi, Gokugory, Piccorot, Cell Hermit
Jean-Baptiste-Camille Corot, Near Blandy, 19th century #jeanbaptistecamillecorot https://t.co/uOBgBQdFT9
Jean Baptiste Camille Corot, La Cervara, the Roman Campagna, c. 1830-1831 #museumarchive #clevelandartmuseum https://t.co/DRZ7LXyMQV
The Lonely Tower (La Tour isolee), Jean-Baptiste Camille Corot, @ngadc https://t.co/frN8C4mnHY #wikidata #digitalart #print (Palette: #RussianRevolution) 🖌🎨
Jean Baptiste Camille Corot, La Cervara, the Roman Campagna, c. 1830-1831 https://t.co/DRZ7LXyMQV #clevelandartmuseum #museumarchive
Jean Baptiste Camille Corot, La Cervara, the Roman Campagna, c. 1830-1831 https://t.co/DRZ7LXyMQV #clevelandartmuseum #museumarchive
➤ “Recuerdo de Mortefontaine” Jean-Baptiste Camille Corot, 1864, @MuseeLouvre; captura una escena idealizada sin dejar de dibujar del mundo real. La pintura temprana de Corot mostró inclinaciones realistas, pero después, comenzó a combinar elementos más románticos
🧶 /FIN
Jean-Baptiste-Camille Corot, “Orpheus Leading Eurydice from the Underworld” (detail, oil on canvas, 1861).