La paura delle grandi verità trattiene gli uomini dall’accoglierle.Perché all’unanimità, diventata tanto inquieta nel corso degli ultimi tempi devono essere esposte quelle grandi e impressionanti verità?
Steiner 1917

Allegoria della Verità e del Tempo
🎨 Annibale Carracci.

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Vi aspettiamo fino alle 22.00 (ultimo ingresso alle 21.00) all’anteprima speciale gratuita della mostra "Annibale Carracci. Gli affreschi della cappella Herrera"

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Photo reference from Drawing Book: Pattern Prints by Agostino Carracci.

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de 1552 nació en Lavinia Fontana, pintora oficial de la corte del papa Clemente VIII y seguidora del clasicismo de los Carracci. Su fama se sustentó en sus excelentes retratos en los que capta con minuciosodad las joyas y los tejidos

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Annibale Carracci.1560-1609. Recumbent youth posed naked,except for his hose pulled down to his ankles. Red chalk on paper. Chatsworth House,Derbyshire,UK.

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Ludovico Carracci.1555-1619. Reclining Man. Red chalk on paper.

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de 1564 nació la pintora boloñesa Lavinia Fontana, pintora oficial de la corte del papa Clemente VIII y seguidora del clasicismo de los Carracci. Su fama se sustentó en sus excelentes retratos en los que capta con minuciosodad la ropa y las joyas

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Giovanni Lanfranco, Norandino and Lucina Discovered by the Ogre, c. 1624, Oil on canvas, This massive painting in the Galleria Borghese portrays an episode of Ariosto’s Orlando Furioso that borrows heavily from the Odyssey, while Lanfranco borrows heavily from Annibale Carracci.

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In Rome he worked with Poussin for 4 years. The influence of his master on him was profound - as were the influences of Italian artists working in the city such as Guercino & the Carracci. Death of Cato (1646), Martyrdom of S Andrew (1646-7) & Descent from the Cross (1640s)

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Three "human marvels"who lived at the court of the Farnese Family. To the right is the hairy-faced Arrigo, a sufferer from hypertrichosis; in the top right hand corner, the head of Pietro Matto ('Mad Peter'). To the left is the dwarf Amon.

Painting (~1599) by Agostino Carracci.

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Annibale Carracci.1560-1609. The Cyclop Polyphemus.1595-1605. Fresco. Palazzo Farneze. Rome.

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Agostino Carracci.1557-1602. Anchises.(Father of Aeneas and mortal lover of the goddess Venus or Aphrodite).1590's. Pen and ink over red chalk. Christ Church College Picture Gallery. Oxford.

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Mouths & eyes, & hands sharpening a pen, after studies by Agostino Carracci. His day has been today.

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Agostino Carracci.1557-1602. Pluto.1592. Galleria Estense. Modena Italy.

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Annibale Carracci. Detail of the ceiling of the Farnese Gallery. 1598 1507.Palazzo Farnese. Rome.

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