Daumier, despite his establishment detractors, was a true patriot as shown in his monumental & stirring image of the Republic. The Fifth Act at the Gaiety Theatre (1848), The Republic (1848), The Uprising (nd) & Martyrdom of St Sebastian (1849-52)

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Les Beaux Jours de la Vie. Une Loterie Philantropique - Honoré Daumier, Honoré Daumier, Aberdeen Archives, Gallery & Museums https://t.co/4fj9hlpewb (Palette: 🖌🎨

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Honoré Daumier, Mother with Child, ca.1865

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Les Baigneurs. File... File... Moellon! v. le Municipal... - Honoré Daumier - ABDAG005905, Honoré Daumier, Aberdeen Archives, Gallery & Museums https://t.co/gD5jE4KrLO (Palette: 🖌🎨

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Honoré Daumier, The Railway: The Sunday Excursion https://t.co/S8hiTMuEjO

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'The Imaginary Invalid', Honoré Daumier, 1857.

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En Chemin de fer... un voisin agréable (On the Railroad: A Pleasant Neighbor), Honoré Daumier, https://t.co/M51C2RQQYp (Palette: 🖌🎨

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A fun caricature of the pear-shaped French politician Baron Joseph de Podenas, published on this day, 1833. The print, by Honoré Daumier, was later remoulded into a fetching plaster sculpture 👀- one of Daumier's 'Celebrities of the Juste Milieu'. https://t.co/AfiIJHUzxx

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Honoré Daumier, Exposition universelle: L'etranger trouve toutes les facilités pour retourner à son hôtel https://t.co/w49DWTpJ4L

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Horse-drawn “omnibuses” (from Latin “for everybody”) originated in France & proliferated in the 1850s, providing a new mode of cheap transport for all classes, sexes & ages ~ & an early opportunity for manspreading. Depicted here by Daumier, GW Joy and Delondre

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