This portrait represents a transitional style between Thomas earliest portraits of relatively stiff, doll-life figures and his later, more naturalistic portraits. You can view this masterpiece, "Sarah, Lady Innes," on the fourth floor of

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features in Living Histories: Queer Views and Old Masters, a year-long project at the presenting new paintings by four New York-based artists created in response to works in the — on view from tomorrow: https://t.co/rn2sW6mYzP

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When you hear the Frick is reopening tomorrow. 😮

After one year of being closed, the Collection opens at our temporary new home, this Thursday. Plan your visit at https://t.co/0llr5Em7pf.

The Progress of Love: The Meeting (detail)

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