I’m about to edit the bag onto Giotto’s Arena Chapel Lamentation

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Giotto’s intent to bring together the human and the divine through his art is attested by another unusual detail. In The Universal Judgement the artist also represents his client Enrico Scrovegni, who is depicted giving a model of the chapel to Christ. It is only one of several o

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2/2 Kid in the tree: one of best details in Giotto’s Arena Chapel frescoes. It’s his day today.

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2/2 Tender moment in Giotto’s Nativity. Newborn burrito seems unusually alert and focused but hey, it’s Baby J!

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Uh - apparently among artists on Twitter today is So here ya go, a couple of things from years ago. These are watercolours, the one of Giotto’s Tower is 20.5x33cm, the others much smaller. All long since sold, sorry.

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El Greco creates one of the most dramatic, poignant images I’ve experienced demonstrating both dark and light of the supreme sacrifice of Jesus Christ; recalling Giotto’s fresco two hundred years earlier...


El Greco: The Crucifixion (1596-1600)

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It’s & our churches are closed.
Still we can follow the story through Giotto’s paintings in Arena Chapel, Padua (c1305)
And remember all those in Italy & closer to home who are fearful.
Today- Christ enters Jerusalem in triumph
Sunday

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Sunday Lent V Worship:click on the link:
https://t.co/DFZJXcMm17. & use Giotto’s fresco to follow the Gospel. Music: Organ Recital thankyou to good friend https://t.co/CX4bjJj11T God Bless from Kirk at the foot of Rock and West Princes Street Gardens.

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2/2 Kid in the tree is one of the best details in Giotto’s Arena Chapel frescoes. It’s his day today.

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For all of us travelling today, scenes from his Christmas cycle to keep us company.
The Magi & the Holy family journey in fear & faith, towards a star, a baby, a refuge.
Arena chapel, Padua, 1305

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/Giotto’s BUT I MEAN LOOK AT IT ITS SO SMEXY IM STILL NOT OVER KHR

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Giotto’s lamenting angels for Good Friday (for me, one of the most powerful representations of emotion in the history of art).

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On Maundy Thursday a famous and important fresco from The Scrovegni Chapel in Padua by Giotto from 1305. It depicts the betrayal of Jesus by his disciple Judas. Giotto’s work moved away from 2-dimensional figures to those with more human qualities.

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Giotto’s ‘Entry into Jerusalem’ brings Palm Sunday to life, one of the images featured in my new series following the last days of Jesus; Painting the Holy Land on https://t.co/tfWwiD8pX8

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