Oberstdorf - Mountains / Alexej von Jawlensky, 1912.

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A is essentially emotional in https://t.co/Mv39Wn6cTl exists as a record of an effect in whose splendour has moved a human heart and according as it well or ill done it moves the hearts of others...
Walter Phillips

Alexei Von Jawlensky, 1912

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Alexei von Jawlensky, Red Veil, 1912

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Alexej von Jawlensky, Stilleben, 1910, Oil on cardboard

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la búsqueda de un rostro único. presenta una con un centenar de obras del pintor ruso que recorre su obsesión por el rostro desde los inicios de su carrera en Múnich hasta sus últimos años. Por
https://t.co/hIAOehsZ5X

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On ne le sait pas toujours mais Marianne Werefkin est morte à Ascona. Sa fondation consacre une exposition à la relation intellectuelle et surtout artistique, qu’elle a vécu de 1891 à 1921 avec Alexej Jawlensky, des prémices du Blau Reiter à l’abstraction.

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🎨 Until tomorrow ...

'Coast Scene with Red Hill'
Alexei Jawlensky, 1911

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Expelled from Germany in 1914, Jawlensky moved to Switzerland. After a hiatus in experimentation with the human form, Jawlensky produced perhaps his best-known series, the Mystical Heads (1917–19).

Jawlensky, Mystical head, 1917-19

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Today marks the birthday of Alexej von Jawlensky, one of the great Blaue Reiter (Blue Rider) artists. He moved to Munich after his training and after visiting Paris was deeply impressed by Van Gogh. He spun VG's use of colour his own way, like in this 1913 work from

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Portrait of the Dancer Aleksandr Sakharov
Jawlensky, Alexej
1909

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