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“Topology is not a metaphor, but a rigorous montage with the objet a.” JL
Oskar Kokoschka, Self Portrait dancing with Alma Mahler, 1913. Kokoschka began a tumultuous affair with Alma Mahler in 1912; the year after Gustav’s death. In 1914 Alma rejected him & married Walter Gropius
Sigmund Freud at the Café Landtmann:
“Look ... There’s Schnitzler, Zweig and Musil, the writers. Wittgenstein, the philosopher. The painters, Klimt, Kokoschka, Schiele. Mahler, the composer, and the Vienna Circle, which will revolutionise the philosophy of science.”
Oskar Kokoschka, Plate from The Dreaming Youths, 1907-08 (published 1917) #printsanddrawings #minneapolisinstituteofart https://t.co/jcGCOCDlF1
Oskar Kokoschka, Job and the Maidens (Hiob und die Fräuleins) (plate, page 35) from Hiob (Job), 1916–17, published 1917 #museumofmodernart #museumarchive https://t.co/fIAhCPsZeN
Oskar Kokoschka, Portrait of Putnam D. McMillan, 1957 #artsmia #oskarkokoschka https://t.co/ANA9ln2u3u
Oskar Kokoschka, The Wife Leading the Man, 1914 #oskarkokoschka #minneapolisinstituteofart https://t.co/BvPub20f67
Oskar Kokoschka, Girl in Meadow Before a Village (Mädchen auf Wiese vor einem Dorf (postcard), (1908) #oskarkokoschka #museumofmodernart https://t.co/jy7tPQMObh
Oskar Kokoschka, Self-Portrait, 1914 #artsmia #minneapolisinstituteofart https://t.co/qSHhciQGV7
Oskar Kokoschka, The Supplicant (Die Flehende) (plate 5) from O Eternity - Thou Word of Thunder (Bach Cantata) [O Ewigkeit - Du Donnerwort (Bachkantate)], (1914, published 1916) #oskarkokoschka #museumofmodernart https://t.co/7yEX4gnCLY
Oskar Kokoschka, Käthe Richter (plate, loose leaf) from the periodical Das Kunstblatt, vol. 1, no. 10 (Oct 1917), 1917 #museumofmodernart #oskarkokoschka https://t.co/Cq8JZK4ddR
Oskar Kokoschka, Käthe Richter (Head, Slightly Tilted Back) [Käthe Richter (Kopf, leicht zurückgeneigt)] (plate, preceding p. 289) from the periodical Das Kunstblatt, vol. 1, no. 10 (Oct 1917), 1917 #museumofmodernart #oskarkokoschka https://t.co/d9c3BFPYSg
Oskar Kokoschka, Maria Orska, (1922) #museumarchive #museumofmodernart https://t.co/lVc6nnbwbC
Oskar Kokoschka, Self-Portait from Two Sides (Selbstbildnis von zwei Seiten), (1923) #museumofmodernart #museumarchive https://t.co/mzO7pV4nQZ
Oskar Kokoschka, Job and the Contortionist (Hiob und der Kautschukmann) (plate, page 19) from Hiob (Job), 1916–17, published 1917 #oskarkokoschka #museumarchive https://t.co/lffNYHOCht
Oskar Kokoschka, Couples in Conversation (Paare im Gespräch) (in-text plate, folio 7) from Die träumenden Knaben (The Dreaming Boys), 1917 (executed 1907-08) #oskarkokoschka #museumofmodernart https://t.co/sk0d5AURLz
Oskar Kokoschka, The Crucifixion (Christus am Kreuz) from the series The Passion (Die Passion), (1916) #museumofmodernart #museumarchive https://t.co/dNdBSosiEv
Oskar Kokoschka, Plate from The Dreaming Youths, 1907-08 (published 1917) #printsanddrawings #oskarkokoschka https://t.co/v9H2e60uU1
Oskar Kokoschka, The Intruders (Die Eindringlinge) (plate, folio 20) from Die Chinesische Mauer (The Great Wall of China), 1914 (executed 1913) #museumofmodernart #oskarkokoschka https://t.co/QCcxkBFQZe