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Acaba de fallecer, a los 71 años de edad, el escritor español Javier Marías. Desde 2008 cupaba el sillón R de la @RAEinforma y publicó novelas como Los enamoramientos, Tu rostro mañana, Berta Isla o Tomás Nevinson. Descanse en paz.
Such a busy day today that I missed out on @artukdotorg's #OnlineArtExchange theme of trees.
You must always make time for trees!
Wind in the Tree Tops by Christopher Richard W Nevinson @BM_AG.
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“A verbal art like poetry is reflective; it stops to think. Music is immediate; it goes on to become.”
—W.H. Auden
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Christopher Richard Wynne Nevinson
Another anniversary poll!
Which of these JIN edits that I love is your favorite?
Let me know in the comments!
1. Spring, Victor Borisov-Musatov
2. Watson and the Shark, John Singleton Copley
3. We inhabit the corrosive..., James Gleeson
4. From a Venetian Window, CRW Nevinson
Christopher Richard Wynne Nevinson, A.R.A., River Landscape, 1920s, Oil on canvas
Christopher Nevinson's 1916 work shows a Royal Engineer's tunneler a member of the unit within the British Army, formed to dig tunnels under enemy occupied territory. Canaries (in the cage) are very susceptible to lack of oxygen so gave miners a warning of the presence of gas.
A wet and blustery day... here's the perfect artwork! Wind in the Tree Tops by Christopher Richard W Nevinson (1889–1946).
https://t.co/6JsqLXYkGK
'Rough Sea.' (1917) Bouts of rheumatic fever and shell-shock shortened Christopher Nevinson's time at the Front in WW1. A reviewer heralded Nevinson as the first British artist to give 'really profound and pictorial expression to the emotions aroused by war.'
Mark Gertler first spotted Natalie Denny at Augustus John’s New Year’s Eve party in 1927 and immediately asked her to sit for him. As charming as she was beautiful she was much-sought after and sat for various artists including Christopher Nevinson, John Armstrong and Harry Jonas
Christopher Nevinson (1889 - 1946): 'Autumn in Paris,' 1936, 'pencil and pastel.
'The Tunneller.' The stalemate situation in the early part of WW1 led to the deployment of tunnel warfare. By mid-1916, the date of this picture by Christopher Nevinson, the British Army had around 25,000 trained tunnellers, mostly volunteers taken from coal mining communities.