The most independent of the four still life's show a mastery of form & colour. Discover 'The Blue Tablecloth', a fine example from the first phase of Hunter’s career as an artist of distinction & recognition - https://t.co/fqPA2bG5BL

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James Knox spoke about portraits of women by women, from the Celtic Revival and the Roaring Twenties as part of our Scottish Portraits as Biography talks.

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Not tweeted for a while but we’ve all been busy doing zoom workshops together during lockdowns. Next week we’re exploring the Cloisonné technique in oils, a method favoured by the such as with in these

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Celebrating Spring at its peak: Spring in Glasgow (with view of ) 1942 by Scottish Colourist John Duncan Fergusson, painted in his flat by . Oil on canvas. Presented by the Artist to in 1952. (c)

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by from in good company with from A sizzling show, also includes and Roderic O'Connor

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Famously, the forged a path in Paris, absorbing & reacting to the work of their heroes of the school. followed exuberantly in their tradition; earning himself the moniker of “The Fifth Colourist” - https://t.co/KNJOKgdTyD

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Today we're enjoying by sharing works in our collection by Scottish artists in celebration of 's new exhibition, ‘The Rhythm of Light’! We love Rosamund Sargent by Allan Ramsay (1713-1784), Oil on canvas,1749.

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you say, ?
Here's some wonderful works by the from 's collections:
JD Fergusson's 'The Brass Kettle' (1904) and 'Hortensia'
GL Hunter's 'Still Life with a Bottle' (1931)
SJ Peploe's 'Still Life' (1930)

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