Armstrong opens with a discussion of OCS's waxwork of Byron.

Dickens had a lifelong interest in Byron and critics have noted Steerforth as "Byronic." But Armstrong argues he is actually a stand-in for Byron.

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Saw this - the 'Glasses Apostle' (1403) by Conrad von Soest - via 's feed earlier, and know now who was channelling for his magisterial performance as Serjeant Buzfuz yesterday!

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