The repeated castigation of the views as “gratuitous” suggests their unwelcome status, not merely for the distraction & congestion they caused, but also for the content of the advertisements.

Below, from Punch Magazine 5 March 1864 (National Gallery of Art Library, Washington). https://t.co/qfOu28BKk9

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The repeated castigation of the views as “gratuitous” suggests their unwelcome status, not merely for the distraction & congestion they caused, but also for the content of the advertisements.

Below, from Punch Magazine 5 March 1864 (National Gallery of Art Library, Washington). https://t.co/Vlr9LBK9VS

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The repeated castigation of the views as “gratuitous” suggests their unwelcome status, not merely for the distraction & congestion they caused, but also for the content of the advertisements. Below, from Punch Magazine 5 March 1864 (National Gallery of Art Library, Washington). https://t.co/vY9qyK8Fxf

1 3

The repeated castigation of the views as “gratuitous” suggests their unwelcome status, not merely for the distraction & congestion they caused, but also for the content of the advertisements. Below, from Punch Magazine 5 March 1864 (National Gallery of Art Library, Washington). https://t.co/y5ptxy4arU

1 2

The repeated castigation of the views as “gratuitous” suggests their unwelcome status, not merely for the distraction & congestion they caused, but also for the content of the advertisements. Below, from Punch Magazine 5 March 1864 (National Gallery of Art Library, Washington). https://t.co/1wxe2lTsa9

2 3

Oggi (data non concorde fra tutti gli storici) nel 1519 nasceva il pittore Jacopo Robusti detto

(CRISTO PLACA LA TEMPESTA SUL LAGO DI TIBERIADE o CRISTO SUL MARE DI GALILEA, anno 1570, olio su tela, 117.1×169.2 cm, National Gallery of Art,

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