“At last I was seeing the colour of a scarlet coat in the sun, the sheen of a clipped horse, with the lighting on fences, tree trunks, fields.”

These words written by Munnings are exemplified in Hunting Morning, painted when he was working in Cornwall.

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I learnt a thing from one of my followers: a clump of trees on a hill like this can be called a tump! Paul Nash made many studies of which is a similar landform. There's also the in Are there any near you?
https://t.co/oyLSpt0La7

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Heron would meet Hepworth & Nicholson at St Ives & always return to Cornwall. He married in 1945. He was influenced by the Post Impressionists & had his first one man exhibit in 1947. Long Table with Fruit (1949), Still Life (1949), Crambe Vicarage (1949) & Tablecloth (1948)

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Portrait in progress of the wonderful Swedish artist Katarina Sjostedt Hughes who lives in Cornwall. I’ve been making some texture ‘brushes’ in Procreate app to avoid an ‘airbrushed’ effect!

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A feeling of well-being and tranquillity is typical of the paintings by Dorothea Sharp. Her work accentuates the positive side of life; perfectly represented here by this picture of Porthmeor Beach, St Ives in Cornwall.

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Hiya! I’m Emily, a 21 year old animation student currently based in Cornwall. I specialise in character design, concept art, and 2D animation. I’ll be open to employment after I graduate this summer if you’re looking for an intern!

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I learnt a thing from one of my followers: a clump of trees on a hill like this can be called a tump! Paul Nash made many studies of which is a similar landform. There's also the in Are there any near you?
https://t.co/oyLSpt0La7

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Ned Osborne was Munnings main model for the hunting scenes he painted in Cornwall.

“ …using him and the horses placed where I wanted them-in a pinewood, on a moor…” 

The site for this scene is believed to be Trevelloe Woods near Lamorna.

Hunting Morning, 1913.

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Travaunance cove, St Agnes, Cornwall.
Acrylic on stretched canvas. 25cm x 18cm
By Liz,

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"The Mermaid of Zennor" by John Reinhard Weguelin, illustrates the medieval legend of a mermaid who lived at Pendour Cove, Cornwall. The young man is Matthew Trewhell, a chorister who followed her into the depths and whose voice can still be heard at Pendour Cove.

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I learnt a thing from one of my followers: a clump of trees on a hill like this can be called a tump! Paul Nash made many studies of which is a similar landform. There's also the in Are there any near you?
https://t.co/oyLSpsJ9Lx

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Joanna Commings has produced a new range of seascapes currently exhibited at Tre Pol & Pen in Lezant, Cornwall. This is Across to Stepper Point.

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New work added to my shop: Perranporth beach, Cornwall. Autumn low tide. https://t.co/H50pApqawY

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Views of Trevaunance cove, St Agnes, Cornwall. Acrylic on canvas.

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Standardised modes of presentation. Impossibility of avoiding 'ritual'.

Stone circle contact sheets. Various locations, Cornwall. 2020/21

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Henry Scott Tuke's August Blue (1893–94)

It depicts four youths in and around a boat, bathing in the sea. Tuke started the painting in 1893, probably en plein air on a boat in the harbour at Falmouth, Cornwall.

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Cornish Seascape and Landscape painter Sarah Vivian’s lovely work has appeared here in the last couple of weeks. ‘Journey to the Hill Fort, West Penwith, Cornwall. Comforting paintings.
Thanks my twitterarty
🐝🐝Welcome Newbies 🐝🐝
Helen,😊🍁DrS 👨🏻‍🍳🧺📖📻Toots💜🐶 Max💚🐶🙄

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The Mermaid of Zennor (1900), by John Reinhard Weguelin

Inspired by medieval legend of a mermaid who lived at Pendour Cove, near Zennor, Cornwall. The young man is Matthew Trewhell, a chorister of St. Senara's church in Zennor, with whose voice the mermaid was besotted.

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"I learnt a thing from one of my followers: a clump of trees on a hill like this can be called a tump! Paul Nash made many studies of which is a similar landform. There's also the in Are there any near you?
https://t.co/oyLSpsJ9Lx

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