When I have enough RAW materials from datamoshing I spend several hours a day to find a new RAD composition.
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To me abstraction is about training my eyes to see what really matters in a composition. It's a journey that starts from the big picture to the detail that strikes⚡️

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I mentioned I'd been experimenting with datamoshing. I'm intrigued how it would apply to my paintings.

The image below is one of my full digital paintings which has been datamoshed and then applied to a mesh. It doesn't feel painterly anymore but it's definitely interesting.

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Rejected designs from the "Thalassophobia" project.

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