Our third paper in this panel comes from Krupa Desai from who reconsiders the new visual culture which emerged in post-colonial India in the 1950s as the State embraced visual propaganda photography of newly built dams

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Katarzyna Falecka from presents on framing, aesthetics and identity politics within Marc Garanger’s photographs of Algerian women who were asked to return headscarves to ‘increase the images legibility’

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