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Some masculine input for this week's #GabrielGiovedi. Although far more associated with female portraiture, Rossetti's studies of men are both sensitive & impressive: head of farmer in 'Found' (1869), Ford Madox Brown (1867), male head study 1850s (Mus. of Fine Arts, Budapest).
Rossetti working on 'The Day Dream' by Frederick Shields (1880 @Ashmolean) for this week's #GabrielGiovedi & the completed work (1880 @V_&_A) & study (@Ashmolean)- a burgeoning study in greens. 'She dreams; till now on her forgotten book/Drops the forgotten blossom from her hand'
Continuing our rose theme, featuring 'Roman de la Rose (1864, Tate) and 'Three Roses' (1874, private collection) for this week's #GabrielGiovedi. Also floral examples of Rossetti's evolution in style....
'La Bella Mano' (1875 @delartmuseum) for this week's #GabrielGiovedi.
Following current guidelines this resplendent Rossettian damsel is indeed *washing her hands* but we cannot guarantee that the soap is antibacterial …...
Rossetti's self-isolating stunners are often shown in luscious but claustrophobic spaces with mirrored glimpses of the outside world or a caged bird echoing their own confinement
Lady Lilith (1866-73 Delaware Art Mus)
Veronica Veronese (1872 Legion of Honor Mus)
#GabrielGiovedi
For this week's Dantean-themed #GabrielGiovedi:
'Beatrice meeting Dante at a marriage feast, denies him her salutation' (watercolour 1855, Ashmolean)
An award-winning feat of chilly rebuffery!