I was able to join a group of plein air painters today.
Trees on the foreground need some more glazes.

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I have attempted an non reflective pearl. I base coated screaming skull then mixed with gorthor brown 50/50 and shaded as several glazes. Touched up with SS. Then mixed up to Pallid wych flesh and glazed with skull white. Then a glaze with pink and blue. Is it ok?

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A study of hands. The varnish has yellowed, but you can see the streaks of grey on the gesso - a technique of Rubens - it adds depth to sheer glazes. Opaque whites come forward, shadows recede (sheer darks).

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I'm returning to this painting after letting it incubate for a little while. I find it so exciting to work on these pieces for several months, gradually building up glazes. I know that I have to give my paintings the time they need. I think of it as if I'm the Director of a film.

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Getting close with this Gainsborough transcription. Underpainting nearly done. Lots of flake white in the face ready for the glazes. It’s going to get darker and richer in colour. Another few sessions yet.

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The Queen of Diamonds, step 6: oil glazes. Complete painting process tutorial at https://t.co/BUTZgrsilU

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