Having a hard time, lovelies. If you want me to draw for you all my options are below. I also have a digital artbooks of our pirates and of all my ttrpg work. Please help me out. RTs taste like 40 orange glazes. <3

https://t.co/XQN8aEepIC

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I was able to join a group of plein air painters today.
Trees on the foreground need some more glazes.

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I have attempted an non reflective pearl. I base coated screaming skull then mixed with gorthor brown 50/50 and shaded as several glazes. Touched up with SS. Then mixed up to Pallid wych flesh and glazed with skull white. Then a glaze with pink and blue. Is it ok?

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Spoil your loved one with the gift of art this month...
... with Patrick Hughes’ gorgeous ‘Cloudy II’ and ‘Hearty’ limited edition silkscreen prints with glazes. These are available both individually or as a pair
To purchase drop us a line via DM or info.co.uk

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This issue 37 'Me and my pot' is by Mel Condon. It's thrown in Valentine Clays’ KGM stoneware and fired to cone 7 after decorating with a patterned rolling tool and layered glazes. If you'd like your work featured, just follow the link in our Instagram bio https://t.co/bgLrC6ClYW

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A study of hands. The varnish has yellowed, but you can see the streaks of grey on the gesso - a technique of Rubens - it adds depth to sheer glazes. Opaque whites come forward, shadows recede (sheer darks).

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I did a colour study breakdown of a Leyendecker piece and his use of glazes. Then I applied that to a previous sketch. Ended up dropping the opacity to 30% but I think it looks ok.

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Having my first proper play with Contrast Paints. Loving them so far, really useful for certain stuff. Especially shading whites! Also great for blending together for colourful glazes.

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After a many years running the family business in Stoke on Trent, in 1905 ceramic chemist Bernard Moore set up his own pottery studio where he made pots with stunningly innovative copper-red glazes.

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I'm returning to this painting after letting it incubate for a little while. I find it so exciting to work on these pieces for several months, gradually building up glazes. I know that I have to give my paintings the time they need. I think of it as if I'm the Director of a film.

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Experiment with layered media, impasto, oil pastel and glazes. 'Bird Reflection'. Acrylic and mixed media on paper.

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Getting close with this Gainsborough transcription. Underpainting nearly done. Lots of flake white in the face ready for the glazes. It’s going to get darker and richer in colour. Another few sessions yet.

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"Cumbrian Reflections" chawan.
Shap granite and bog oak ash glazes. Thrown at Brantwood as part of C Art 2017

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Here's the update- I think I'm about ready to add my color glazes. :D this will be looking for a home eventually.

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More work tonight. Detail in glazes. Keeping the Edwardian loose style.

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The Queen of Diamonds, step 6: oil glazes. Complete painting process tutorial at https://t.co/BUTZgrsilU

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