Doodle of the Day: Two chatting Women with two Children (1930), Print on paper, Käthe Kollwitz (1867–1945). Kollwitz produced two versions of this work. The first version uses loose line work whereas the later lithograph is more refined and gives the figures a sense of stability.

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For me there is no one who reached into the tender, fragile and sometimes desperately hard, helpless and heartbreaking experience that is motherhood and laid it out for us on paper better than Käthe Kollwitz.

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He was the ultimate Academician in that his first concern was status & clique whereas those artists of stature choose their own path (Rembrandt, Kollwitz, Rego & Goya etc). Lady Frances Finch (1781-2), Captain Coussmaker (c1782), Self (1780) & Countess Spencer (1781-2)

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Riempiti di me.
Desiderami,prosciugami,
versami,immolami.
Chiedimi,raccoglimi,
contienimi,nascondimi.
Voglio essere Tuo,
è la tua ora...

Pablo Neruda




🖌️Käthe Kollwitz

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Käthe Kollwitz,
Woman with Dead Child, 1903

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Käthe Kollwitz (1867–1945)
Death and Woman (Tod und Frau), 1910

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9- Käthe Kollwitz,(1867- 1945), German
Woman with Dead Child, 1903, brings a traumatizing subject —that of losing a child
Käthe Kollwitz was not an artist to shy away from taboo subjects. In Love Scene, 1909, a naked woman is keenly involved with her lover.

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Can thoroughly recommend the MAKING MODERNISM show at the Royal Academy, London.

A fascinating exhibition of selected works by four female artists from the early 20th C: Paula Modersohn-Becker, Kathe Kollwitz, Gabriele Munter and Marianne Werefkin.

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Woman with Dead Child, 1903, Käthe Kollwitz, [3559 x 3120]

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Exploring themes of identity, representation & belonging through pioneering Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter & Marianne Werefkin at

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Details from ’s exhibition new exhibition ‘Making Modernism’, devoted to the work of Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.

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Hungry!
Käthe Kollwitz

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Da che rovine parlo,
da che baratro grido?
Vivo nella calce non spenta,
sotto volte di fetide cantine.

Chiamino pure muto l'inverno,
sbattano in eterno le eterne porte:
udranno sempre la mia voce,
sempre ancora le daranno ascolto.

Anna Achmatova

🖌 Käthe Kollwitz

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Käthe Kollwitz, Self-portrait with hand to forehead, 1910. Etching

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Der neue Simplicissimus

Der neue SIMPLICISSIMUS. Satire für die Bonner Republik
Verlängert bis 13. November 2022!

Käthe Kollwitz Museum Köln

https://t.co/Ki3eJ0bAYc

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Käthe Kollwitz, Julie Wolfthorn, Sabine Lepsius, Dora Hitz & Maria Slavona habe ich als Mitbegründerinnen der Berliner Secession kürzlich vorgestellt. Es gab noch einige wenige andere weibliche Mitglieder, z.B. Ernestina Orlandini, die diese wunderbaren Ranunkeln gemalt hat. 1/5

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Maria Slavona (1865-1931) war eine gute Freundin von Käthe Kollwitz und vor dem Zweiten Weltkrieg ebenso bekannt wie sie. Slavona war Gründungsmitglied der Berliner Secession und als Künstlerin anerkannt und erfolgreich. Hier ein Selbstportrait von 1887. 1/2

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