A Kochmann Korelle from 1930 brings a Schneider Xenar 3.5/75mm. A beautiful pocket Camera equipped with a fine Lens. Sharp, Vivid & Poetic.

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C.P. Goerz, Berlin. From 1915-20. A SYNTOR F6.8/130mm on a Goerz Tenax is The Goerz lenses are legendary for a reason. Almost unbelievable how vivid and harmonious the rendering is for a lens more than a 100 years old, & it comes with a bag of built-in Inspiration.

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The TLR Camera "Reflecta 1930" from Kamerawerk Tharandt, was equipped with a Brillantar 7,5cm/3.5. This lens shows why it is called "painting with light".

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A closes the Weekend. It is an early Rodenstock Trinar Anastigmat from 1922. Renders an extraordinary Bokeh, shot wide open: sharp Center dreamy anywhere else. stopped down sharpness increases over the whole frame. The Glow stays. Beautiful for Pictorialism.

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When it is about Softness, imaginative Sharpness & Atmosphere rather than Contrast, Details & Clarity, the Noristar 10 cm / F3.5 from a 1942 Projector may come in handy. It is more a brush than a lens. But isn't it all painting with light? ...😊

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A Novar Anastigmat 10,5/6.3 is the Coming from a Zeiss Ikonta 520. A massively popular Camera back in the 1930s. It's more an Allrounder than a Specialist but it will not disappoint. Well, maybe in Sports/Wildlife and Architecture. 😊

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For years I had a broken Voigtländer Vito B laying around. Today was the day to extract the 50/2.8 Skopar from it, give it future & make it . A fine little lens from 1954.

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