Καθ' όλη τη διάρκεια των δεκαετιών του 1920 και του 1930, ζωγράφιζε μελαγχολικά εικονιστικά έργα βασισμένα στον μνημειώδη ρεαλισμό του Ιταλού ζωγράφου Masaccio του 15ου αιώνα.

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The Tribute Money by Masaccio, circa 1424 or 1425 (2200x1015)

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Masaccio – Pagamento del tributo, 1424-1425, Cappella Brancacci, Basilica di Santa Maria del Carmine, Firenze.

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Tommaso di Ser Giovanni Casai
'Masaccio'

btd 1401 d 1428


'Madonna and Child with Saint Anna'

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🖼El tributo de la Moneda
👨🏼‍🎨 Masaccio
📅 1425
🎨 Renacimiento
📍Santa María dei Carmine (Florencia)
📐598 x 255 metros



https://t.co/3mwtge0wD2

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🎨 Tommaso Italian Renaissance painter, was 21 December 1401.

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🖼El tributo de la Moneda
👨🏼‍🎨Tommaso di ser Giovanni di Mone Cassai,
📅1425
🎨 Renacimiento
📍Santa María dei Carmine (Florencia)
📐598 x 255 metros



https://t.co/3mwtgeiFRa

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NO BC SAME,,, LOOK AT HOW I FIRST DREW MASACCIO AND THEN HOW I DRAW HIM NOW (Left old, Right new) https://t.co/yIucljyLJr

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Masaccio. Brancacichapel was being renovated so we could climb up the scaffolding and see them up close https://t.co/K6SxciYvQk

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But in Italy - first through Giotto in the early 1300s, followed by Masaccio a century later - perspective was introducted into art.

Paintings were now three-dimensional. People had weight. They seemed to be standing in real places. Things became more realistic.

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Then came proto-Renaissance painters like Giotto in the early 1300s and Masaccio a century later.

They introduced the illusion of depth - linear perspective - into art. It became more realistic. People in their paintings seemed to be standing in real spaces. They had weight.

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Masaccio (1401-1428) is regarded as the first true Renaissance painter.

He achieved greater realism than had been seen before, particularly through his use of perspective and depiction of lifelike, natural human forms:

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"La expulsión de Adán y Eva del Paraíso" (1496) de Masaccio por
9/7/22 & Carrie
8/2/17 & T. May

➕#humor & reciente /
2⃣👉https://t.co/HYdGeLbrXp
1⃣👉https://t.co/lCNb40ZRn5

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