“La gelosia è talora inestirpabile, come continuava a dire Moravia in quel racconto (intitolato Quant'è caro) comparandola a «una palla di gomma che più la spingi sotto e più ti torna a galla».”

su

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La felicita e
essere se stessi,
profondamente,
veracemente,
senza compromessi,
anche a costo di
essere infelici.
Alberto Moravia "L'automa"
a

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lutherans: please be normal people are starting to notice

the moravians: here is a picture of me chilling out in jesus's side-hole with a song i wrote about his little side-hole if you like i made twelve more of these

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Hey hey! these are my favorite Halloween pics (witch, Moravian vampire and Pumpkin demon hunting ghosts and monsters)

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I ‘#RaccontiDiAlbertoMoravia’ AKA ‘#RaccontiRomani’: uno dei primi libri letti (da me) in Italia/no tanti anni fa. Piccoli capolavori di narrativa; migliore di che come romanziere…😴

https://t.co/28uXDMJPzt

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Young lady - Панночка

Art inspired by the great Alphonse Mucha "Moravian Teachers' Choir"
I posted the timelapse on YouTube

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Anima è quello
che appartiene a
tutti e a nessuno.
Anima è amore.
Anima è idea.
Anima è libertà.

Alberto Moravia
(26 settembre 1990🥀)




🖌️Emilio Romero Rodríguez

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designed this poster to promote a lottery for raising funds for Czech schools in southwestern Moravia.

In the poster, Čechia sits on a dead tree weeping. In the foreground, a little school girl with books and pencils stares at the viewers, demanding support from them.

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Maria Young Girl In A Moravian Costume

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New WIP for upcoming exhibition..💖 inspired by one and only Emil Filla a Moravian 🇨🇿 Cubist painter 😍 leader of the avant - garde in Prague between World War I & II. ❤️

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Maria Young Girl In A Moravian Costume

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Maria Young Girl In A Moravian Costume

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First there were the books and then some of them adapted to films.

From Alberto Moravia's "Il disprezzo" novel (1954) to Jean-Luc Godard’s 'Le Mépris / Contemp' (1963

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'Bivouac in the Caucasus' -- taken from page 11 of "Travels in the Western Caucasus: including a tour through Imeritia, Mingrelia, Turkey, Moldavia, Galicia, Silesia and Moravia, in 1836" (London, 1838), by Edmund Spencer (capt.).

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According to his contemporaries, Franz Adolph of Freenthal was “an energetic man of the world with varied fortunes, first-rate eloquence, and many English passions.” This painting is probably Adolph’s best work, which he painted after his return from Britain to Moravia in 1770.

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Untitled, letterpress monoprint on catalogue cards from the Moravian Museum Brno, Czech Republic; by Karel Martens.

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