Natalia Goncharova, Videnie v oblakakh (Vision in the Clouds) from Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914 https://t.co/7LpyPCyDKx

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Vasily Kandinsky, Panel for Edwin R. Campbell No. 4, 1914 https://t.co/i1R7PP7R1c

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Alphonse Mucha, Salomé from L'Estampe moderne, no. 2, 1897 https://t.co/1IrtSdbXXn

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Henri de Toulouse-Lautrec, The Photographer Sescau (Le Photographe Sescau), 1894 https://t.co/LXqqpMZwAq

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The Reservoir, Horta de Ebro, Horta de Sant Joan, summer 1909

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Edvard Munch, The Death of Marat (Marats død), 1906-07, signed 1912 https://t.co/1Xmul2FJ66

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Francis Picabia, Duplicate of plate 2 from Janela do caos (Window of Chaos), 1949 https://t.co/HnsvgIbxNr

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Franz Marc, Blue Horse with Rainbow (Blaues Pferd mit Regenbogen), (1913) https://t.co/F7uHHuJovu

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Pablo Picasso, Set design for the ballet Le Tricorne, 1920 https://t.co/sAS1FbacdR

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Francis Picabia, Duplicate of Docteur James (Doctor James) from Le Peseur d'âmes (The Weigher of Souls), 1931 https://t.co/BuFva3wjh3

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Natalia Goncharova, Britanskii Lev (The British Lion) from Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914 https://t.co/WOLLTUWXCF

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Marc Chagall, Aleko and Zemphira by Moonlight. Study for backdrop for scene 1 of the ballet Aleko, 1942 https://t.co/qYtuJ0jX58

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Henri de Toulouse-Lautrec, Mademoiselle Cha-u-kao, The Seated Clowness (Mademoiselle Cha-u-kao, La Clownesse assise) from Elles, 1896 https://t.co/8QSQrC1uyO

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Max Ernst, Variant of plate (page 137) from Mr. Aa the Anti-Philosopher (Monsieur Aa l'antiphilosophe): Volume I from The Anti-Head (L'Antitête), 1947–49, published 1949 https://t.co/PTTP8k8eIT

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