My MFA show in involved varying amounts of hand working for each print. Some, like the circle trees, involved small touches like added highlights or color washes. Others involved printing on a much larger paper and drawing full images outside the print area.

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Another multi-color assignment from probably 2002 or so. This one did better as a color print, but I still found the key plate on its own worked most to my liking. Aquatint, spit-bite, line-etch and drypoint. May as well do them all...

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It’s day 4! Yes I skipped a day, turns out a Sunday can be extremely busy. But this challenge is about me learning, not me anxiously trying to catch up when I really should be sleeping (even though I still did that today…)

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The one-piece-a-day routine is one I have enjoyed for a long time. For my MA show, I made a series of 14 prints, doing one line-etch drawing every day for two weeks, which were then printed and hand-colored. These four prints were part of that series.

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Here are a couple more relief prints for These are both from around 2008 and are around 5" x 7". I mostly focus on intaglio and etching techniques, but it is nice to work with the bold shapes of and contrasts of relief printing, from time to time.

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It's October! Usually I do some sort of thing, but my current work load means I need to focus on other projects right now. Instead, will be posting images of my old prints from back in ye olde day. Let's go with Here's a lino from around 2007.

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