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©️ 📸 Alfred Stieglitz (1864 - 1946)

American artist

A Bit of Venice, 1894



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My small exhibition at the Stieglitz Academy is done,
but it is time to continue presenting the works of the II Series of the Cycle "Heavenly Scapes".
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Clouds on the black. Num from XXII-XXXII to XXII-XXXV. White color on the black paper. 2022.

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Continue to present the works of the II Series of the Cycle "Heavenly Scapes" 12 of which are exposed now at the Stieglitz Academy.
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Clouds on the black. Num from XXII-XXVIII to XXII-XXXI. White color on the black paper. 2022.

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My exhibition at the Artistic Metalwork Department of the Stieglitz Academy is finishing soon. In this view, I'd like to show the whole line of the "Heavenly Scapes" II-nd Series.
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Clouds on the black. Num. from XXII-XX to XXII-XXIII. White color on the black paper. 2022.

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Today I have cleaned-up for you the sweetest of autochromes, dated around 1910. It is a study of future mountaineer Georgia Engelhard (1906-1986) taken by photographer Alfred Stieglitz 112 years ago. It is original colour (not colourised).

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Oscar Bluemner fue un estadounidense nacido en Alemania.
En 1908 conoció a Alfred quien le introdujo en las innovaciones artísticas de las europeas.

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"When I knew I was going to stay in New York, I sent for things I had left in Texas. They came in a barrel and among them were all my old drawings and paintings. I put them in with the wastepaper trash to throw away and that night when Stieglitz and I came home after dark th…

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Georgia O'Keeffe (1887-1986), The Old Maple, Lake George, Oil on canvas, 1926
Alfred Stieglitz (1864-1946), The Old Maple — Lake George, Gelatin silver print, 1926

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Kleine Vorankündigung: Ende August öffnet meine 2. Einzelausstellung"Von Stieglitz und Habicht" im Pop-Up Pavillon (Alter Markt) der .

Weitere Infos:
https://t.co/iHjK7WIbQ3

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"When I knew I was going to stay in New York, I sent for things I had left in Texas. They came in a barrel and among them were all my old drawings and paintings. I put them in with the wastepaper trash to throw away and that night when Stieglitz and I came home after dark th…

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Georgia O'Keeffe Hands, Alfred Stieglitz, 1917

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Miguel Covarrubias, born November 22, 1904. Photograph of MC by Carl Van Vechten; Covarrubias artwork: cover of Langston Hughes' Weary Blues, caricatures of W.C. Handy and Alfred Stieglitz search digital collections: https://t.co/IHdzUe97Ff

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Pamela Colman Smith: The Blue Cat, 1907
https://t.co/iJCUNns8tg
From: Alfred Stieglitz / Georgia O'Keeffe archive
https://t.co/chP6nzsvju

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Georgia O’Keeffe fotografata dal marito Alfred Stieglitz nel 1929. https://t.co/k7GHHj7oij

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Poor old Oscar Bluemner! Nobody guessed and I suppose this reflects his life! A pioneer of American Modernism he would have done better staying in Germany. Friends with Stieglitz, exhibitor at The Armory Show he nevertheless couldn’t get arrested but bridged the gap into the C20 https://t.co/K2Li2dk0Wd

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Poor old Oscar Bluemner! Nobody guessed and I suppose this reflects his life! A pioneer of American Modernism he would have done better staying in Germany. Friends with Stieglitz, exhibitor at The Armory Show he nevertheless couldn’t get arrested but bridged the gap into the C20

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I started reading a book of love letters between Georgia O'Keefe and Alfred Stieglitz. She was such an interesting woman. Brilliant in ways, different. New Mexico helped save her life. Stieglitz and O'Keefe meanwhile wrote each other back & forth for 31 years. Love her flowers.

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… and again in 1909, of "visions evoked by music, sketched during the concert or opera”

Sonata No.11 - Beethoven

Overture ‘Manfred’ - Schumann

Overture ‘Egmont’ - Beethoven

all 1907 - Stieglitz archive, Yale

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Marion Beckett was an American painter who studied in NY and Paris and exhibited in the 1913 Armory Show. A member of Alfred Stieglitz’s artistic circle in New York City, Beckett was known primarily as a portrait painter

Port of Georgia O'Keeffe (Top R)

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