It's This week we present wood engravings by three notable French artists, Jacque Boullaire, Fernand Siméon, and Constant Le Breton. These engravings appear in the first volume of the English annual 'The Woodcut.' Learn more: https://t.co/6gL2thzg1m

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For we're sharing wood-engraved illustrations for the children's literature from the Goodyear Rubber Co. 1880s promotional publication, 'Our Picture Book,' containing stories and poems for young readers. Learn more: https://t.co/09c1KbiDyf

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It's Today we return to engravings by English wood engraver John O’Connor published in 'People & Places,' printed in 1999 by John and Rosalind Randle’s Whittington Press in Hereforshire, England in an edition of 375 copies. More: https://t.co/kmbYPf5i7f

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Today for we present Fritz Eichenberg's engravings from the 1986 Limited Editions Club production of French author Georges Bernanos‘s 'Diary of a Country Priest,' printed by the Heritage Press in an edition of 1000. Learn more: https://t.co/k8jO7UI7zo

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This we present for wood engravings by the Russian-born French artist Ivan Lebedeff, from the 1929 Golden Cockerel Press printing of Russian writer Leonid Andreyev’s story 'The Abyss' with a translation by John Cournos. Learn more: https://t.co/tYMGyZF90K

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This we present a few wood engravings by Barry Moser from his printing of American poet Louis Simpson’s poem 'The Invasion of Italy' printed at Main Street, Inc. in 1976 in an edition of 75. Learn more: https://t.co/eVPkTS83uI

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This week for we bring you color wood-engraved illustrations by American printer, designer, and wood engraver Philip Reed for 'Mother Goose and Nursery Rhymes' published in New York by Atheneum in 1963. Learn more: https://t.co/7aJmLOAuHH

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These are some of Fritz Eichenberg’s wood-engraved illustrations for the 1971 Limited Editions Club production of Leo Tolstoy’s semi-autobiographical work 'Childhood, Boyhood, Youth,' designed by Joseph Blumenthal. Learn more: https://t.co/npVOVp6ewe

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It's Today we highlight woodcuts by Gretchen Daiber that serve as illustrations for Welsh poet Leslie Norris’s 1984 chapbook of poems 'A Tree Sequence' letterpress printed by Suzanne Ferris on paper made by Neal Bonham. Learn more: https://t.co/KeJUVlMMoJ

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It's Today we present prints by the legendary John DePol—illustrations for a collection of poems by Walter Shewring, 'Later Verses and Earlier,' printed in 1988 at the Yellow Barn Press in Council Bluffs, Iowa. Learn more: https://t.co/TohGkwBHq5

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It's The engravings shown here are by Nora S. Unwin from 'Joseph; the King James Version of a Well-loved Tale,' arranged with an introduction by Elizabeth Yates, and printed and bound by the Plimpton Press in 1947. Learn more: https://t.co/Clsid3Idrf

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This week for we present wood engravings by Eileen Mayo for a 1930 edition of 'The Poem of Amriolkais,' printed by James E. Masters at his High House Press in an edition of 200. Learn more: https://t.co/aHuGhGgp5q

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It's The engravings shown here are from Clare Leighton’s book 'Growing New Roots,' published by The Book Club of California in 1976, with illustrations that reveal the pride and patriotism she held for her adopted country. More: https://t.co/YomXzB8Lug

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It's The great Rudolph Ruzicka began his series of wood-engravings of Boston beginning in 1911 as annual keepsakes for D.B. Updike’s Merrymount Press, and would continue the series until 1941. Learn more: https://t.co/iev2noRJpT

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This week's features work by Diana Bloomfield as found in 'Matrix' 16 Winter 1996, between as part of Bloomfield’s own small memoir “Engraving for The Periodical.” Learn more and read quotes from Bloomfield about her work here: https://t.co/JjGKr7DVbl

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Former Exeter Royal Albert Memorial Museum curator Hal Bishop introduced us once again to a wood engraver we are unfamiliar with, English artist Joan Ellis, in an essay from Matrix 17, published in Winter 1997. Learn more: https://t.co/8Bx2XpQv0X

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It's These wood engravings are prints by German-American artist Hans Alexander Mueller from the Limited Editions Club edition of Robert Louis Stevenson’s 'Kidnapped,' designed and printed in 1938 by Elmer Adler. Learn more: https://t.co/EQaOYlQbHR

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Today we present a few of Barry Moser’s wood engravings from his 1984 Pennyroyal Editions printing of Washington Irving’s 'Rip Van Winkle and The Legend of Sleepy Hollow.'

Learn more: https://t.co/9h7SvED0ZK

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Miriam Macgregor is an Indian-born British wood engraver and type compositor. Since 1977, she has worked the Whittington Press. Today we present her wood engravings for P.J. Kavanagh’s Real Sky, printed in 1980 by Macgregor herself. https://t.co/onqLeIt99B

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For we present a selection from 'One Hundred Fables,' written & selected by the English painter James Northcote, printed by British printer and wood engraver John Johnson for the London print publisher George Lawford in 1828. More: https://t.co/2BHp9lo1dS

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