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Sean Phillips and Jay Stephens pairing is interesting. It's somewhat removed from the Fegredo-ness we see in Phillips today, a bit blockier, more open space, somewhat reminiscent to me of Richard Case or Philip Bond.
When she was introduced, I'm fairly certain that Jolly Roger was a lesbian. I wonder if that's supposed to be a clue.
It's funny as to how quaint the Marquis' conception of taboo is compared to how society has advanced. A lot of this issue is just about building a new society founded on breaking sexual boundaries.