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Same here with Quimper breaking the panel border and the point of view of the unknown person from somewhere beyond. Makes you wonder about everything, on top of the context that they're running an op on King Mob and Ragged Robin.
I love the approach to these pages' layouts from Weston. The various sizes, repetition, and overlap all add to the overall chaos of what we're being presented in the story. Not quite giving us a chance to catch our breath to figure out what's real.
"We are at war with Eastasia. We have always been at war with Eastasia."
Should other people in your social circle (or family as it were) really be privy to your actions with an ostensibly secret society? Seems like a huge breach of keeping quiet and confidential. Mason doesn't seem very hermetic.
Not that it's necessarily a secret from anyone on the team any more. You'd think--if this isn't Quimper--Robin would have brought it up before.
I like the incorporation of even "fake" mythos here. There's a few people in differing schools of magic that take similar approaches. Using the patently "false" or knowingly manufactured gods to ensure that they do/represent what you want. That seems to have failed here.
Quimper's really a rather disturbing little fellow, isn't he?
The parallels between both Takashi and Quimper speaking to off panel unrevealed characters is interesting.