d. emerson eddy🐀さんのイラストまとめ

You wonder how much of this is roleplay or if King Mob's finally put the pieces together, which he's been trying to do since he went back to the '20s.

Trying to explain why you're attracted to someone else is always kind of awkward. Especially when one of your friend's is apparently making sounds like a horse being born with another guy up above you.

The angel statues are creepy as fuck. Also, the transition from Sir Miles' dreamscape to King Mob and Ragged Robin in the New Orleans cemetery is interesting. Suggesting a kind of dreamlike state throughout.

Just that little flourish at the top adds something nice to the overall design.

Interesting to see both sides of the pond's enemies collaborating and the absurd humour of Sir Miles appearing without pants in this dream.

Break shit and leave.

It's somewhat troubling when you can't even trust your own organization not to put you through the wringer.

Though, to be fair, King Mob's cell DID do something similar to initiate Jack.

Boy doesn't seem to take kindly to being forced to kill King Mob. Nice breaking the programming.

More emphasis here on language forming the foundation of reality.

I think I mentioned earlier than many religions and mythologies use language and/or writing as the building block of everything else.

Whether Thoth or The Word bringing everything into existence.

@TomTaylorMade

Fun with the destroyer, the angel of the abyss.

There's a school of thought in some magical circles that the best way to shock the system, to break out of the humdrum, is to profane yourself. Relish and revel in everything taboo or "evil". That seems to be at play here.