AIGA Eye on Designさんのイラストまとめ

How do costumes contribute to a television show’s brand? For #NatalieBronfman, the costume designer behind @HandmaidsOnHulu, “I am ultimately one of the enablers of the writer’s room’s vision” >> https://t.co/h5Klqe3eTm

This is a Night Stalker. Don’t worry: The fearsome land-based predatory bat will only evolve circa 50 million years in the future, in the Pacific archipelago of Batavia, according to the speculative masterpiece After Man >> https://t.co/i4vok6UgZI

It was an obscure manifesto for spiritual synesthesia that sowed the seeds for the US’s 1920s Chromatic Revolution, writes @ElleHward 🔮 >> https://t.co/mivH028awj

“The ability to preserve something is also a privilege” says @srujangatha, whose archive of 1970s Dalit Panthers zines is helping to safe-guard anti-caste literature previously thought to be lost to time ✊🗃️ >> https://t.co/HxyJP9ToyN

“The images in After Man, even forty years on, look neither utopian or dystopian. The book rejects this dualism, and instead shows us through animals, strange yet familiar, just how inevitable change is” says @jpksure >> https://t.co/i4vok6C7LA

A new 40th anniversary edition from @breakdownpress of After Man, the speculative masterpiece by Dougal Dixon, finds new relevance in a world grappling with climate crisis 🌎 >> https://t.co/i4vok6C7LA

“Where are all the Black designers?” — A roundtable conversation ✍️ by @siborg81 #fromthearchive >> https://t.co/QmLa6acAUo

What does the new craze for pet portraits say about the times we live in? — ✍️ by @ZacharyPetit >> https://t.co/NqwfSqRPg8

Off the Grid is a fascinating new book on the often-overlooked histories of graphic design in Belgium. @jarrettfuller speaks with editor @sara_de_bondt about why these histories are important >> https://t.co/Wj5XiVGPu9

A little-known fact: 19th century seed packages and catalogs were absolutely stunning. See for yourself > https://t.co/TG6Tt9Labi