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The latest exhibition at @PosterHouseNYC features 20 movie posters from the Blaxploitation genre, showcasing how influential they were in a time before Black characters made their way to mainstream film. Learn about these posters from Curator Adam Howard > https://t.co/KKPr3xQb5l
Read how author and designer Gustavo Piqueira is comforted by the personal approach to designing book covers > https://t.co/XffWUVrkoM
The Fence brings a new look to the staid world of current affairs mags—by Madeleine Bruster > https://t.co/hCOZLkrEQt
When you start to think outside the box of the box, the world is a never-ending nesting doll. > https://t.co/RlrpDvzvsu
5 Blaxploitation posters that define a redefining movement—by Nadja Sayej > https://t.co/KKPr3xQb5l
Prélettres is a feast for the eyes, drawing your gaze around the page with electric neon tones > https://t.co/C3U9oX4uel
What containers reveal (and conceal) about design and life—by Sasha Portis > https://t.co/rDAmf0aJhq
“Ninety-five percent of this is about the reading experience.” —Matt Willey (@MrMattWilley) the Pentagram partner who led the @parisreview redesign. Read more about the project > https://t.co/xs421KzePH
“[This] was during the early days of computer design; now you can do that stuff in Photoshop in no time. Back then we had to make a real live sardine can.” —Cey Adams (art direction) on the Beastie Boys’ Hello Nasty album cover > https://t.co/urlsFaHhhP
“Reversing Into the Future reveals a glorious, technicolor smorgasbord of wild typography, tongue-in-cheek image appropriation, and art school weirdness.” More about Andrew Krivine’s bookish ode to new wave > https://t.co/a8sRnwZoNb