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@NLabs404 That’s why I am happy that Paramount+ exists. It allows new generations of audiences to discover the classic Nicktoons that they missed out on.
I have been binge-watching Angry Beavers, a show I didn’t grow up on, and now I consider it an underrated Nickelodeon classic.
Because of that Winnie the Pooh: Blood and Honey movie, I thought it would be the perfect time to ask this question:
What are some copyrighted works (books, songs, etc) that you wish would be in the public domain but you just know you likely won't be alive when it happens?
It’s such a shame that these Nicktoons that were done under Zarghami got treated poorly after Nickelodeon went through a regime change.
It’s unfortunately a common thing for new management to not care about the previous management’s shows unless they were already massive hits.
I just realized that Mr. Wolf from The Bad Guys basically looks like an anthropomorphic version of Balto.
Now I can’t unsee it!
Also keep in mind that Netflix is the THIRD studio that abandoned making a Bone adaptation, after Nickelodeon and Warner Animation Group.
Will we ever get to see Fone Bone animated? I hope so.
Inside Out, Coco, Onward, and Luca are four recent Pixar movies that I felt could have been rated G rather than PG without changing them that much (even the dark moments and action scenes in these movies don't really feel PG-worthy in my opinion).
In my opinion, shipping characters together is totally fine as long as:
A) The shipper isn’t toxic about it (such as acting like their ship is objectively better than others and acting disrespectful)
B) It doesn’t go into creepy territory for kid characters
My Neighbor Toronto was a brilliant title idea and a clever parody of the Ghibli classic (which this movie gets its style from). Too bad that it was already in use. #TurningRed https://t.co/EXxg6e3xuY